Home An Anatomy of Facelessness: On Halfdan Pisket’s Dansker Trilogy
Article
Licensed
Unlicensed Requires Authentication

An Anatomy of Facelessness: On Halfdan Pisket’s Dansker Trilogy

  • Øyvind Vågnes EMAIL logo
Published/Copyright: October 17, 2018
Become an author with De Gruyter Brill

Abstract

A significant contribution to the social history of immigration in the Nordic countries, Halfdan Pisket’s Dansker trilogy (2014–2016) is also a resonant visual-verbal reflection on the relationship between the face and the mask and its impact on the formation of individual and cultural identity. Pisket’s depiction of the hardship and alienation of the struggling immigrant is marked by a striking symbolism, and the article addresses how the three books collectively can be said to outline “an anatomy of facelessness”. The analysis revolves around three central aspects of Pisket’s depiction of the trilogy’s central protagonist: the imaginative re-appropriation of the myth of the Minotaur, the ambiguous deployment of the hooded figure, and the use of the facial portrait as an ambivalent emblem of the reservoir of individual human experience.

Literature

Primary literature

Pisket, Halfdan 2014: Desertør. København.Search in Google Scholar

Pisket, Halfdan 2015: Kakerlak. København.Search in Google Scholar

Pisket, Halfdan 2016: Dansker. København.Search in Google Scholar

Secondary literature

Agamben, Giorgio 1992: Notes on Gesture. Minneapolis.Search in Google Scholar

Beaty, Bart 2011: “In Focus: Comics Studies Fifty Years After Film Studies”. In: Cinema Journal 50.3. 106–110.10.1353/cj.2011.0022Search in Google Scholar

Beaty, Bart 2012: Comics versus Art. Toronto, Buffalo, London.10.3138/9781442696266Search in Google Scholar

Belting, Hans 2017: Face and Mask: A Double History. X. Princeton and Oxford.10.1515/9780691244594Search in Google Scholar

Beronä, David 2008: Wordless Books: The Original Graphic Novels. New York.Search in Google Scholar

Beronä, David 2015: “Woodcut Novels: Cutting a Path to the Graphic Novel”. In: Comics Forum, May 23, 2013. https://comicsforum.org/2013/05/23/woodcut-novels-cutting-a-path-to-the-graphic-novel-by-david-a-berona/. Accessed May 10, 2018.Search in Google Scholar

Butler, Judith 2004: Precarious Life: The Powers of Mourning and Violence. London and New York.Search in Google Scholar

Coetzee, J. M. 1986: “Into the Dark Chamber: The Novelist and South Africa”. In the New York Times Book Review, January 12, 1986, section 7.Search in Google Scholar

Elliot, David 2017: Bull. London.Search in Google Scholar

Hatfield, Charles 2010: “Indiscipline, or, The Condition of Comics Studies”. In: Transatlantica 1. URL: http://transatlantica.revues.org/4933. Accessed May 10, 2018.10.4000/transatlantica.4933Search in Google Scholar

Heer, Jeet/Kent Worcester, eds. 2009: A Comics Studies Reader. Jackson.Search in Google Scholar

Ingold, Tim 2013: Making: Anthropology, Archaeology, Art and Architecture. London and New York.10.4324/9780203559055Search in Google Scholar

Jenkins, Henry 2012: “Introduction: Should We Discipline the Reading of Comics?” In: Smith, Matthew J./Randy Duncan, eds., Critical Approaches to Comics: Theories and Methods. New York and London. 1–14.Search in Google Scholar

Kinney, Alison 2016: Hood. London.10.5040/9781501307430Search in Google Scholar

Mickwitz, Nina 2017: Documentary Comics: Graphic Truth-Telling in a Skeptical Age. London.10.1057/9781137493323Search in Google Scholar

Mitchell, W. J. T. 2005: What Do Pictures Want? The Lives and Loves of Images. Chicago.10.7208/chicago/9780226245904.001.0001Search in Google Scholar

Mitchell, W. J. T. 2010: “Migration, Law, and the Image: Beyond the Veil of Ignorance,” In: Bischoff, Christine/Francesca Falk/Sylvia Kafehsky, eds., Images of Illegalized Immigration (Bielefeld: Transcript). 13–30.10.1515/transcript.9783839415375.13Search in Google Scholar

Ries, Martin 1972–1973: “Picasso and the Myth of the Minotaur”. Art Journal 32.2 (Winter). 142–145.10.1080/00043249.1973.10793092Search in Google Scholar

Scarry, Elaine 1986: The Body in Pain: The Making and Unmaking of the World. New York.Search in Google Scholar

Vågnes, Øyvind 2011: “The Unmaking of the World: Trauma and Testimony in Two Stories by Joe Sacco”. In: Afterimage: The Journal of Media Arts and Cultural Criticism 39.1–2. 60–62.10.1525/aft.2011.39.1-2.60Search in Google Scholar

Vågnes, Øyvind 2014: Den dokumentariske teikneserien. Oslo.Search in Google Scholar

Vågnes, Øyvind 2015: “Comics Reenactment: Joe Sacco’s Footnotes in Gaza”. In: Cortsen, Rikke Platz/Erin La Cour/Anne Magnussen, eds., Comics and Power: Representing and Questioning Culture, Subjects and Communities. Newcastle Upon Tyne. 154–172.Search in Google Scholar

Published Online: 2018-10-17
Published in Print: 2018-10-25

© 2018 Walter de Gruyter GmbH, Berlin/Boston

Articles in the same Issue

  1. Frontmatter
  2. Research Articles
  3. Íslenzkt þjóðerni: Jón Jónsson Aðils’ Iceland and the road to the future
  4. Det ophøjede i dansk romantik og en figurativ-filosofisk vurdering af Jens Baggesen og Schack von Staffeldts digterdyst
  5. The North seen from the South in the Spanish reception of Selma Lagerlöf
  6. Dangerous Vicinity: Theorizing the Neighbour in August Strindberg’s “The Roofing Ceremony”
  7. The female detective as the child who needs to know. Saga Norén as an example of potent yet dysfunctional female detectives in contemporary Nordic Noir
  8. Group genitive in Swedish – s-genitive as a phrase marker
  9. Generics in Mainland Scandinavian languages
  10. Nordischer Klang
  11. Nordischer Klang 2017: Punkt, Punkt, Komma, Strich. Zeichenwelten/Welten zeichnen
  12. Comics creation as a social experiment: Simon Gärdenfors’ playful performance
  13. An Anatomy of Facelessness: On Halfdan Pisket’s Dansker Trilogy
  14. Stripping H.C. Andersen. Peter Madsen’s Historien om en mor (or, what a graphic novel adaptation can do that its literary source cannot)
  15. Reviews
  16. Olle Ferm et. al. (Hg.):The Eufemiavisor and Courtly Culture. Time, Texts and Cultural Transfer. Papers from a Symposium in Stockholm 11–13 October 2012
  17. Laura Sonja Wamhoff:Isländische Erinnerungskultur 1100–1300. Altnordische Historiographie und kulturelles Gedächtnis
  18. Jana Krüger, Vivian Busch, Katharina Seidel, Christiane Zimmermann u. Ute Zimmermann (Hg.):Die Faszination des Verborgenen und seine Entschlüsselung – Rāði sāʀ kunni. Beiträge zur Runologie, skandinavischen Mediävistik und germanischen Sprachwissenschaft
  19. Jón Karl Helgason:Echoes of Valhalla. The Afterlife of the Eddas and Sagas
  20. Alessia Bauer, Kurt Schier (Hg.) mit einem Nachtrag von Peter Landau:Konrad Maurer, Reise nach Island (im Sommer 1858)
  21. Margareta Petersson & Rikard Schönström (eds.):Nordens litteratur
  22. Matthias Egeler:Islands in the West. Classical Myth and the Medieval Norse and Irish Geographical Imagination
Downloaded on 27.9.2025 from https://www.degruyterbrill.com/document/doi/10.1515/ejss-2018-0022/html
Scroll to top button