Abstract
The article focuses on some of the unprecedented forms of judicial practices that emerged during the trial of Anders Behring Breivik in Oslo City Court in Norway after the terror attacks perpetrated on July 22 2011. Embracing an interpretive point of view mainly inspired by the philosopher Ernst Cassirer, the article sheds light on various performative practices and shows how they contribute to giving the catastrophic event a specific form. In this perspective the law can be framed as a process through which the distinction between the lawful and the unlawful gradually is established and recognized by the parties involved.
Litteratur
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© 2016 Walter de Gruyter GmbH, Berlin/Boston
Artikel in diesem Heft
- Frontmatter
- Articles
- Den lange Rejse og Vesterlandets undergang – så langt fra hinanden og dog så tæt på
- Towards an Ecology of the Self: Landscape, Body and Identity in Karen Blixen’s Out of Africa
- Den myke manns død – Knut Faldbakkens Adams dagbok (1978)
- Language and identity in ‘Mangfolds-Norge’: Or why Brynjulf Jung Tjønn wrote Kinamann in Bokmål and his other novels in New Norwegian
- Rubrik Nordischer Klang 2015: Wiederholtes Weltende. Krise und Trauma in skandinavischen Fiktionen
- «22. juli.» Litterære konstruksjoner av et nasjonalt traume
- Apocalypse Then and Now: Verdens Undergang (1916) and Melancholia (2011)
- Rettslig formgivingsarbeid etter terroren 22. juli 2011
- Et hvidkalket, gudsforladt lys. Inger Christensens alfabet og katastrofen
- Into the Blind Spots – Theatrical Approaches to the Terror Attacks in Norway 22 July 2011
- Reviews
- Klaus von See et al. (Hg.):Kommentar zu den Liedern der Edda / Band 7: Heldenlieder
- Christof Seidler:Das Edda-Projekt der Brüder Grimm. Hintergrund, Analyse und Einordnung
- Steinar Imsen (Hg.):Rex insularum. The King of Norway and his ‘skattlands’ as a political system c. 1260 – c. 1450
- Mats Malm:Voluptuous Language and Poetic Ambivalence. The Example of Swedish Baroque
- Katalin Nun:Women of the Danish Golden Age. Literature, Theater and the Emancipation of Women
- Steffen Werther:SS-Vision und Grenzland-Realität. Vom Umgang dänischer und „volksdeutscher“ Nationalsozialisten in Sønderjylland mit der „großgermanischen“ Ideologie der SS
- Ulf Olsson:Språkmaskinen: Om Lars Noréns författarskap
- Kristina Kotcheva:Adversativkonnektoren in den nordgermanischen Sprachen. Synchronie und Diachronie
Artikel in diesem Heft
- Frontmatter
- Articles
- Den lange Rejse og Vesterlandets undergang – så langt fra hinanden og dog så tæt på
- Towards an Ecology of the Self: Landscape, Body and Identity in Karen Blixen’s Out of Africa
- Den myke manns død – Knut Faldbakkens Adams dagbok (1978)
- Language and identity in ‘Mangfolds-Norge’: Or why Brynjulf Jung Tjønn wrote Kinamann in Bokmål and his other novels in New Norwegian
- Rubrik Nordischer Klang 2015: Wiederholtes Weltende. Krise und Trauma in skandinavischen Fiktionen
- «22. juli.» Litterære konstruksjoner av et nasjonalt traume
- Apocalypse Then and Now: Verdens Undergang (1916) and Melancholia (2011)
- Rettslig formgivingsarbeid etter terroren 22. juli 2011
- Et hvidkalket, gudsforladt lys. Inger Christensens alfabet og katastrofen
- Into the Blind Spots – Theatrical Approaches to the Terror Attacks in Norway 22 July 2011
- Reviews
- Klaus von See et al. (Hg.):Kommentar zu den Liedern der Edda / Band 7: Heldenlieder
- Christof Seidler:Das Edda-Projekt der Brüder Grimm. Hintergrund, Analyse und Einordnung
- Steinar Imsen (Hg.):Rex insularum. The King of Norway and his ‘skattlands’ as a political system c. 1260 – c. 1450
- Mats Malm:Voluptuous Language and Poetic Ambivalence. The Example of Swedish Baroque
- Katalin Nun:Women of the Danish Golden Age. Literature, Theater and the Emancipation of Women
- Steffen Werther:SS-Vision und Grenzland-Realität. Vom Umgang dänischer und „volksdeutscher“ Nationalsozialisten in Sønderjylland mit der „großgermanischen“ Ideologie der SS
- Ulf Olsson:Språkmaskinen: Om Lars Noréns författarskap
- Kristina Kotcheva:Adversativkonnektoren in den nordgermanischen Sprachen. Synchronie und Diachronie