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Rettslig formgivingsarbeid etter terroren 22. juli 2011

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Veröffentlicht/Copyright: 3. Juni 2016
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Abstract

The article focuses on some of the unprecedented forms of judicial practices that emerged during the trial of Anders Behring Breivik in Oslo City Court in Norway after the terror attacks perpetrated on July 22 2011. Embracing an interpretive point of view mainly inspired by the philosopher Ernst Cassirer, the article sheds light on various performative practices and shows how they contribute to giving the catastrophic event a specific form. In this perspective the law can be framed as a process through which the distinction between the lawful and the unlawful gradually is established and recognized by the parties involved.

Litteratur

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Andre kilder

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Published Online: 2016-6-3
Published in Print: 2016-6-1

© 2016 Walter de Gruyter GmbH, Berlin/Boston

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  15. Christof Seidler:Das Edda-Projekt der Brüder Grimm. Hintergrund, Analyse und Einordnung
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  17. Mats Malm:Voluptuous Language and Poetic Ambivalence. The Example of Swedish Baroque
  18. Katalin Nun:Women of the Danish Golden Age. Literature, Theater and the Emancipation of Women
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  21. Kristina Kotcheva:Adversativkonnektoren in den nordgermanischen Sprachen. Synchronie und Diachronie
Heruntergeladen am 24.4.2026 von https://www.degruyterbrill.com/document/doi/10.1515/ejss-2016-0008/html?lang=de
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