Peter Seebergs poetik hinsides modernisme og realisme
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Anders Juhl Rasmussen
Abstract
In Danish literary historiography, Peter Seeberg (1925–1999) tends to be categorized as a modernist author. However, a few hitherto unknown letters support the assumption that his poetics, from the mid-1960s, rather led him in the direction of an experimental realism, which is alien to modernism. Seeberg simply felt more comfortable with mimesis than with modernism’s anti-mimetic poetics. His deep respect for everyday reality – that can be traced back to Seeberg’s university thesis on Nietzsche – manifested itself both in his establishing of a so-called ‘total-archive’ and in the inclusive strategy of genre and composition in his late collections of short stories. In modern Danish literature, Seeberg holds a unique position, which possibly can be compared with the German nonconformist Arno Schmidt (1914–1979).
Litteratur
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© 2015 Walter de Gruyter GmbH, Berlin/Boston
Articles in the same Issue
- Frontmatter
- Articles
- Vintervejen til de levendes land. En sammenlignende læsning af salmer af Kingo, Grundtvig og Sarvig
- Peter Seebergs poetik hinsides modernisme og realisme
- Nordischer Klang 2014: Grenzüberschreitungen im Skandinavischen Stummfilm – Border Crossings in Scandinavian Silent Film
- On the Periphery of the “National Film”: Danish Cinematic Border Crossings, 1918–1929
- Across Boundaries – Strategies of Silence and Sound in Sjöström’s A Lady to Love (1930)
- The Outlaw and No-Man’s Land: The International Circulation of Visual Repertoires in World War I
- Reviews
- Juliane Egerer / Bauer, Sybille:Norrönes Lern- und Arbeitsbuch. Zu Odd Einar Haugen „Norröne Grammatik im Überblick“
- Sverre Bagge:From Viking Stronghold to Christian Kingdom. State Formation in Norway c. 900–1350
- Pernille Hermann et.al. (Hg.):Minni and Muninn. Memory in Medieval Nordic Culture
- Kurt Schietzel:Spurensuche Haithabu. Dokumentation und Chronik 1963–2013
- Elizabeth Ashman Rowe:Vikings in the West. The Legend of Ragnarr Loðbrók and his Sons (= Studia Medievalia Septentrionalia 18)
- Jónas Kristjánsson und Vésteinn Ólason (Hg.):Eddukvæði I–II
- Jon Stewart (Ed.):The Heibergs and the Theater - Between Vaudeville, Romantic Comedy and National Drama
- Niels Penke (Hg.):Der skandinavische Horrorfilm. Kultur- und ästhetikgeschichtliche Perspektiven
- Weisner, Anette:Großstadtbild und nordische Moderne. Untersuchungen zur Großstadtdarstellung in der skandinavischen Malerei von 1870 bis 1920
Articles in the same Issue
- Frontmatter
- Articles
- Vintervejen til de levendes land. En sammenlignende læsning af salmer af Kingo, Grundtvig og Sarvig
- Peter Seebergs poetik hinsides modernisme og realisme
- Nordischer Klang 2014: Grenzüberschreitungen im Skandinavischen Stummfilm – Border Crossings in Scandinavian Silent Film
- On the Periphery of the “National Film”: Danish Cinematic Border Crossings, 1918–1929
- Across Boundaries – Strategies of Silence and Sound in Sjöström’s A Lady to Love (1930)
- The Outlaw and No-Man’s Land: The International Circulation of Visual Repertoires in World War I
- Reviews
- Juliane Egerer / Bauer, Sybille:Norrönes Lern- und Arbeitsbuch. Zu Odd Einar Haugen „Norröne Grammatik im Überblick“
- Sverre Bagge:From Viking Stronghold to Christian Kingdom. State Formation in Norway c. 900–1350
- Pernille Hermann et.al. (Hg.):Minni and Muninn. Memory in Medieval Nordic Culture
- Kurt Schietzel:Spurensuche Haithabu. Dokumentation und Chronik 1963–2013
- Elizabeth Ashman Rowe:Vikings in the West. The Legend of Ragnarr Loðbrók and his Sons (= Studia Medievalia Septentrionalia 18)
- Jónas Kristjánsson und Vésteinn Ólason (Hg.):Eddukvæði I–II
- Jon Stewart (Ed.):The Heibergs and the Theater - Between Vaudeville, Romantic Comedy and National Drama
- Niels Penke (Hg.):Der skandinavische Horrorfilm. Kultur- und ästhetikgeschichtliche Perspektiven
- Weisner, Anette:Großstadtbild und nordische Moderne. Untersuchungen zur Großstadtdarstellung in der skandinavischen Malerei von 1870 bis 1920
