Received: 2018-12-25
Accepted: 2018-01-15
Published Online: 2019-05-13
Published in Print: 2019-01-01
© 2019 Paul Gilroy, published by De Gruyter Open
Articles in the same Issue
- Special Issue: Of Sacred Crossroads-Cultural Studies and the Sacred
- Of Sacred Crossroads: Cultural Studies and the Sacred A special issue edited by Sonjah Stanley Niaah
- Villains, Ghosts, and Roses, or, How to Speak with the Dead
- Encounters with the Other: Orientalism and Religious Feeling of a Madeiran Pilgrim, Maria Celina Câmara (1899)
- Documenting Faith: Physical Devotion in Werner Herzog’s Pilgrimage (2001) and Wheel of Time (2003)
- Shape-shifting: TheoArtistry Poetry as Theological Action Research
- La Divina Pastora, the Dougla Madonna
- Mediating the Sacred between Junkanoo and the Church in Contemporary Bahamian Society
- Heterotopic Assemblages within Religious Structures: Ganesh Utsav and the Streets of Mumbai
- Grime and Spirit: On a Hype!
- Young Finnish People of Muslim Background: Creating “Spiritual Becomings” and “Coming Communities” in Their Artworks
- Dub in the Front Room: Migrant Aesthetics of the Sacred and the Secular
- Sacred Languages of Pop: Rooted Practices in Globalized and Digital French Popular Music
- Special Issue: Women’s Spring: Feminism, Nationalism and Civil Disobedience
- Dystopia, Feminism and Phallogocentrism in Margaret Atwood’s Oryx and Crake
- Framing Solidarity. Feminist Patriots Opposing the Far Right in Contemporary Poland
- Black Public Art: On the Socially Engaged Work of Black Women Artist-Activists
- MatteRealities: Historical Trajectories and Conceptual Futures for Material Culture Studies
- MatteRealities: Historical Trajectories and Conceptual Futures for Material Culture Studies
- American Art Matters: Rethinking Materiality in American Studies
- A Tale of Two Pianos: Actants, Sociability, and Form in Jane Austen’s Emma
- On Things from Sea and Shore: British Naval Heroism in Material Culture
- Aquatic Matter: Water in Victorian Fiction
- Theorising Things, Building Worlds: Why the New Materialisms Deserve Literary Imagination
- When Earth Matters: Bessie Head’s When Rain Clouds Gather
- Of Human Seismographs: The Multifaceted Roles of Pictures in the Meaning Making of Earthquakes
- Of Stereoscopes and Instagram: Materiality, Affect, and the Senses from Analog to Digital Photography
- Commentary Epilogue—Thing Politics and Life-Worlds: On the Dynamics of Conceptual Developments for the Materiality of Society
- The Place of Objects and Things in the Age of Materiality
- Special Issue: Contemporary African and Black Diasporic Spaces in Europe
- Introduction: Contemporary African and Black Diasporic Spaces in Europe
- Agonistic Belonging: The Banality of Good, the “Alt Right” and the Need for Sympathy
- Black Women’s Transnational Activism and the World Council of Churches
- Lived Afropolitanism: Beyond the Single Story
- Afroeuropean Modes of Self-Making: Afro-Dutch and Afro-Italian Projects Compared
- The Black Mediterranean: Liminality and the Reconfiguration of Afroeuropeanness
- Narrative Constructions of Online Imagined Afro-diasporic Communities in Spain and Portugal
- The Black Archives: Exploring the Politics of Black Dutch Radicals
- Concerning “the Eurocentric African Problem” (Meschac Gaba)
- Engaging Black European Spaces and Postcolonial Dialogues through Public Art: Yinka Shonibare’s Nelson’s Ship in a Bottle
- Silence as an Interlocutor in the Diaspora: Olumide Popoola’s this is not about sadness
- African Nightclubs of Lisbon and Madrid as Spaces of Cultural Resistance
- Dancing an Open Africanity: Playing with “Tradition” and Identity in the Spreading of Sabar in Europe
- Music at the Black Baltic Sea
- Too Dark to Support the Lions, But Light Enough for the Frontlines”: Negotiating Race, Place, and Nation in Afro-Finnish Hip Hop
- Special Issue: J. G. Ballard and Making, edited by Thomas Knowles and Beth White
- J. G. Ballard and Making: An Experiment in Collaborative Practice
- The Art of Un-Making: Nagasaki, Eniwetok, Mururoa, and J.G. Ballard
- Exploring, Photographing and Vacationing in J. G. Ballard’s Airport Landscape
- “Categorically Grotesque: Ballard, Bodies and Genre in Crash”
- Making The Drowned World Manifest: Re-reading Ballard’s Novel Through Art
- Regular articles
- Magical Negress: Re-Reading Agent 355 in Brian Vaughan’s Y: The Last Man
- Encounters with the Other: Transcultural Possibilities in the Wachowskis’ and Tykwer’s Cloud Atlas
- Walk-Through Corporate Aesthetics: Design Affordances in Tech Workspaces
- Mapping Critical Anthropocene Discourses in Musical Artefacts: Whiteness, Absence, and the Intersecting “-Cenes” in Prurient’s The History of Aids
- “Mossification”: Subverting the Human-Centric Portrait with a More-Than-Human Triptych
- Book review
- Łukasz Kamieński, Shooting Up: A Short History of Drugs and War.
- States of mind – political theatre at the age of nomadism
Keywords for this article
anti-racism;
compassion;
nationalism;
humanism;
Alt Right;
nostalgia;
proteophobia;
Fanon;
Améry
Creative Commons
BY 4.0
Articles in the same Issue
- Special Issue: Of Sacred Crossroads-Cultural Studies and the Sacred
- Of Sacred Crossroads: Cultural Studies and the Sacred A special issue edited by Sonjah Stanley Niaah
- Villains, Ghosts, and Roses, or, How to Speak with the Dead
- Encounters with the Other: Orientalism and Religious Feeling of a Madeiran Pilgrim, Maria Celina Câmara (1899)
- Documenting Faith: Physical Devotion in Werner Herzog’s Pilgrimage (2001) and Wheel of Time (2003)
- Shape-shifting: TheoArtistry Poetry as Theological Action Research
- La Divina Pastora, the Dougla Madonna
- Mediating the Sacred between Junkanoo and the Church in Contemporary Bahamian Society
- Heterotopic Assemblages within Religious Structures: Ganesh Utsav and the Streets of Mumbai
- Grime and Spirit: On a Hype!
- Young Finnish People of Muslim Background: Creating “Spiritual Becomings” and “Coming Communities” in Their Artworks
- Dub in the Front Room: Migrant Aesthetics of the Sacred and the Secular
- Sacred Languages of Pop: Rooted Practices in Globalized and Digital French Popular Music
- Special Issue: Women’s Spring: Feminism, Nationalism and Civil Disobedience
- Dystopia, Feminism and Phallogocentrism in Margaret Atwood’s Oryx and Crake
- Framing Solidarity. Feminist Patriots Opposing the Far Right in Contemporary Poland
- Black Public Art: On the Socially Engaged Work of Black Women Artist-Activists
- MatteRealities: Historical Trajectories and Conceptual Futures for Material Culture Studies
- MatteRealities: Historical Trajectories and Conceptual Futures for Material Culture Studies
- American Art Matters: Rethinking Materiality in American Studies
- A Tale of Two Pianos: Actants, Sociability, and Form in Jane Austen’s Emma
- On Things from Sea and Shore: British Naval Heroism in Material Culture
- Aquatic Matter: Water in Victorian Fiction
- Theorising Things, Building Worlds: Why the New Materialisms Deserve Literary Imagination
- When Earth Matters: Bessie Head’s When Rain Clouds Gather
- Of Human Seismographs: The Multifaceted Roles of Pictures in the Meaning Making of Earthquakes
- Of Stereoscopes and Instagram: Materiality, Affect, and the Senses from Analog to Digital Photography
- Commentary Epilogue—Thing Politics and Life-Worlds: On the Dynamics of Conceptual Developments for the Materiality of Society
- The Place of Objects and Things in the Age of Materiality
- Special Issue: Contemporary African and Black Diasporic Spaces in Europe
- Introduction: Contemporary African and Black Diasporic Spaces in Europe
- Agonistic Belonging: The Banality of Good, the “Alt Right” and the Need for Sympathy
- Black Women’s Transnational Activism and the World Council of Churches
- Lived Afropolitanism: Beyond the Single Story
- Afroeuropean Modes of Self-Making: Afro-Dutch and Afro-Italian Projects Compared
- The Black Mediterranean: Liminality and the Reconfiguration of Afroeuropeanness
- Narrative Constructions of Online Imagined Afro-diasporic Communities in Spain and Portugal
- The Black Archives: Exploring the Politics of Black Dutch Radicals
- Concerning “the Eurocentric African Problem” (Meschac Gaba)
- Engaging Black European Spaces and Postcolonial Dialogues through Public Art: Yinka Shonibare’s Nelson’s Ship in a Bottle
- Silence as an Interlocutor in the Diaspora: Olumide Popoola’s this is not about sadness
- African Nightclubs of Lisbon and Madrid as Spaces of Cultural Resistance
- Dancing an Open Africanity: Playing with “Tradition” and Identity in the Spreading of Sabar in Europe
- Music at the Black Baltic Sea
- Too Dark to Support the Lions, But Light Enough for the Frontlines”: Negotiating Race, Place, and Nation in Afro-Finnish Hip Hop
- Special Issue: J. G. Ballard and Making, edited by Thomas Knowles and Beth White
- J. G. Ballard and Making: An Experiment in Collaborative Practice
- The Art of Un-Making: Nagasaki, Eniwetok, Mururoa, and J.G. Ballard
- Exploring, Photographing and Vacationing in J. G. Ballard’s Airport Landscape
- “Categorically Grotesque: Ballard, Bodies and Genre in Crash”
- Making The Drowned World Manifest: Re-reading Ballard’s Novel Through Art
- Regular articles
- Magical Negress: Re-Reading Agent 355 in Brian Vaughan’s Y: The Last Man
- Encounters with the Other: Transcultural Possibilities in the Wachowskis’ and Tykwer’s Cloud Atlas
- Walk-Through Corporate Aesthetics: Design Affordances in Tech Workspaces
- Mapping Critical Anthropocene Discourses in Musical Artefacts: Whiteness, Absence, and the Intersecting “-Cenes” in Prurient’s The History of Aids
- “Mossification”: Subverting the Human-Centric Portrait with a More-Than-Human Triptych
- Book review
- Łukasz Kamieński, Shooting Up: A Short History of Drugs and War.
- States of mind – political theatre at the age of nomadism