Harriet Tubman and Andrew Jackson on the Twenty-Dollar Bill: A Monstrous Intimacy

Articles in the same Issue

1. Special Issue: Marx, Semiotics and Political Praxis, edited by Paulina Aroch Fugellie
2. Karl Marx and the Geographies of the Present
3. Disposal and Reinvention: Citizenship in an Era of Electronic Capitalism
4. Me, Myself and I: Self-fetishisation in the Age of the Selfie
5. Citation as Exchange Value
6. Critical Theory and Semiotics: Contributions from Latin America to a Marxist Discussion
7. Critical Labour in Capital: A Reading of Marx’s Life in His Work
8. Commodity Fetishism Again. Labour, Subjectivity and Commodities in “Supply Chains Capitalism”
9. The Politics of Unification in a Fragmented World: Metapopulism and the Precariat
10. Mystified Consciousness: Rethinking the Rise of the Far Right with Marx and Lacan
11. Manipulating Meaning: Language and Ideology in the Commodification of Online Sociality
12. Activating Temporalities: The Political Power of Artistic Time
13. Special Issue: Capitalist Aesthetics, edited by Pansy Duncan and Nicholas Holm
14. Introduction: Cultural Studies, Marxism and the Exile of Aesthetics
15. Sensational Interfaces and the Aesthetics of Space Apps
16. Dissipating the Political: Battersea Power Station and the Temporal Aesthetics of Development
17. A Context for Complexism: Between Neoliberal Social Thought and Algorithmic Art
18. Lossy Media: Queer Encounters with Infrastructure
19. “A Wide-Angle View of Fragile Earth”: Capitalist Aesthetics in The Work of Yann Arthus-Bertrand
20. Transparency as Ideology, Ideology as Transparency: Towards a Critique of the Meta-aesthetics of Neoliberal Hegemony
21. The Lean In Collection: Women, Work, and the Will to Represent
22. Comfort: A Project for Cultural Studies
23. Authors, Inventors and Entrepreneurs: Intellectual Property and Actors of Extraction
24. The Temporal Resistance of Kelly Reichardt’s Cinema
25. Post-work Futures and Full Automation: Towards a Feminist Design Methodology
26. “Vaporwave Is (Not) a Critique of Capitalism”: Genre Work in An Online Music Scene
27. Burned Out Myths and Vapour Trails: Vaporwave’s Affective Potentials
28. Special Issue: Images of the Future: Science Fiction across the Media
29. Bacon’s New Atlantis and the Fictional Origins of Organised Science
30. Aliens in an Alien World: The Portrayal of the Aliens and Humans in the Man Who Fell to Earth by Nicholas Roeg and Under the Skin by Jonathan Glazer
31. China Whispers: The Symbolic, Economic, and Political Presence of China in Contemporary American Science Fiction Film
32. “Exquisite cadaver” according to Stanisław Lem and Andrzej Wajda
33. The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
34. Special Issue: Motion and Emotion: Cultural Literacy on the Move, edited by Naomi Segal and Maciej Maryl
35. Beyond Emotion: Empathy, Social Contagion and Cultural Literacy
36. Mediascape’s Drifter
37. Reading and Our Life Stories
38. Digitally Assisted Conversation—Google and Changes in Literacy Practices
39. Romanian Diasporic Facebook Groups as Public Spheres
40. New Peredvizhniki, Or Artists On The Move
41. Displaced Art and the Reconstruction of Memory: Ukrainian Artists from Crimea and Donbas
42. Dress and Metaphors of Mobility in British Visual Culture
43. Migrant Images. Refugees between Pathos and Montage
44. Immigration, Incest and Post-Nationality in Krys Lee’s “The Believer”
45. Empowering Signs: Writing and e-motions in Michel Houellebecq’s Platform
46. Ian McEwan’s Parable of Reading in Black Dogs
47. Jurate Radaviciute, Devoid of (E)motion: Farah’s Story
48. Literary Tourist Guides as a Form of New Literary History. A Popular Genre in the Field of Professional Literary Knowledge
49. Affective Diffusion Between Migrants and Inhabitants. Art Based on Migrant Movement
50. Adapting Open-space Learning Techniques to Teach Cultural Literacy
51. “Wozu Image?” / What’s the Point of Images? Exploring the Relation between Image and Text through Intersemiotic Translation and Its Embodied Experience
52. Translation as Movement: Migration and Notions of “Home”
53. Translation Zone(s): A Stuttering: An Experiential Approach to Linguistic Hospitality
54. Special Issue: Black Womanhood in Popular Culture, edited by Katharina Gerund and Stefanie Schäfer
55. Harriet Tubman and Andrew Jackson on the Twenty-Dollar Bill: A Monstrous Intimacy
56. Picturing an Impossible American: Njideka Akunyili Crosby and Photographic Transfers in Portals (2016)
57. Black British Women Filmmakers in the Digital Era: New Production Strategies and Re-Presentations of Black Womanhood
58. “At This Age, This Is Who I Am”: CeCe Winans, Exilic Consciousness, and the American Popular Music Star System
59. Triple Consciousness: The Reimagination of Black Female Identities in Contemporary American Culture
60. Agency in the Afrofuturist Ontologies of Erykah Badu and Janelle Monáe
61. Special Issue: Musical Improvisation: Approaches, Practices, Reception and Pedagogy, edited by Ewa Mazierska
62. Varieties of Freedom in Music Improvisation
63. Composing for Improvisers: Negotiating the Issue of Individual Voice
64. Improvisation in Electronic Music—The Case of Vienna Electronica
65. Third City 2017: Improvisational Roles in Performances Using Live Sampling
66. Graphic Notation, Indeterminacy and Improvisation: Implementing Choice Within a Compositional Framework
67. Special Issue: New Nationalisms in European and Postcolonial Discourses, edited by Izabella Penier and Magda Doliñska-Rydzek
68. The Liberal Soliloquy: The Elite Expression of Shared Loneliness in Modern European Nationalism and Supranationalism
69. Escaping National Tags and Embracing Diversity: Third Culture Kid Songwriters
70. National Identities, Personal Crises: Amnesia in Kazuo Ishiguro’s The Buried Giant
71. “Qabbani versus Qur’an”: Arabism and the Umma in Robin Yassin-Kassab’s The Road from Damascus
72. The Strategies of Ultranationalist Discourse: This Is England and Brexit
73. Embodiment of Untouchability: Cinematic Representations of the “Low” Caste Women in India
74. Regular Articles
75. Feminism and Postmodernism in Kuwaiti Women’s Fiction: Four Novels by Fawziyya S. al-Sālim
76. The Personal Is Theoretical and the Past Is Present: Blurring the Lines in Contemporary Anti-Racist Writing
77. August Wilson, Afrofuturism, & Gem of the Ocean
78. From Risk to Terror: Islamist Conspiracies and the Paradoxes of Post-9/11 Government
79. The Hyperobject and the White Cube: The “Strange Stranger” in Douglas Coupland’s Canada House
80. “Their Beastly Manner”: Discourses of Non-Binary Gender and Sexuality in Shi’ite Safavid Persia
81. Hong Kong as Alternative Sinophone Articulation: Translation and Literary Cartography in Dung Kai-Cheung’S Atlas: The Archaeology of an Imaginary City
82. Erratum
83. A Foreword to Multicultural Cervantes: On the Contributions and Their Authors