Abstract
In 2008 “Blang Nationality’s Singing and Instrument Playing” (Bulangzu tanchang) was listed as China’s intangible cultural heritage protection. The creation of ethnic parks, cultural villages, and ecomuseums in Southwest China raises some questions about the ethnic minorities’ traditional cultural/musical heritage and its sustainable development: What is the impact of ethnic tourism development on local minorities and what is the role played by government cultural policy in the preservation and dissemination of Blang musical heritage? How is this ethnic group’s identity represented in staged performances for tourists and in mass media? And what is the agency of Blang culture bearers officially appointed ‘cultural heritage inheritors’ in constructing, defining, and representing their own ethnic/musical identity? This article deals with a research project conducted mainly among the Blang of Manxi village in Xishuangbanna (Sipsongpanna), Yunnan Province, Southwest China, in the Spring of 2017. The purpose of this article is to describe and analyze the current interplay of ethnic tourism, government policy, mass media and culture bearers among an ethnic group considered a “minority among the minorities” in China and the effects of this interplay on the sustainability of traditional musical heritage.
Selected Chinese Character List: Personal Names
He Hua 何华
Yang Liping 杨丽萍
Yang Minkang 杨民康
Selected Chinese Character List: Terms
Bulangzu 布朗族,
Bulangzu tanchang 布朗族弹唱
chuantong 传统
chuantong min’ge 传统民歌
chuantong wenhua 传统文化
dage 大歌
dagu 大鼓
daibiaoxing chuanchengren 代表性传承人
ding qin 盯琴
duige 对歌
guanxi 关系
Jixiang kongque 吉祥孔雀
jiuge 酒歌
kongque wu 孔雀舞
Manba 曼巴
Manya 曼芽
Manxi 曼夕
Menghai 勐海
Mengjinglai 勐景来
minzucun 民族村
yuanshengtai min’ge 原生态民歌,
Yunnan Leigui 云南雷鬼
luohou 落后
min’ge 民歌 / minjian gequ 民间歌曲
minzu 民族
minzu shibie 民族识别
minzu tuanjie 民族团结
nengge shanwu 能歌善舞
Pu 濮 / Pu man 濮满
qingge 情歌
Sangkang 桑康
shaoshu minzu, 少数民族
sheng 笙
suo 索
tong ma 同玛
wenhua chanye 文化产业
wenhua yichan 文化遗产
wenhua lüyou 文化旅游
xiangjiaogu 象脚鼓
Xiaohua dui 小花队
yi ge dayan 以歌代言
yuansheng 原声
Yunnan Yingxiang 云南映象
zai 宰
zai beng 宰蹦
zhuai 拽
zunzhong 尊重
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Wei, Li and Zhang, Xingrong (2001): From China’s Southwest Borders: Minority Dances, Songs, and Instrumental Music of Yunnan, Apsara Media.Search in Google Scholar
Su, Yan Chun (2010): Treasure of the Lisu: Ah-Cheng and his Music, produced by Yan Chun Su.Search in Google Scholar
© 2023 Walter de Gruyter GmbH, Berlin/Boston
Articles in the same Issue
- Frontmatter
- Aufsätze – Articles – Articles
- Divine Causality and Human Free Will: Ṭūsī’s Solution and Its Historical Background
- La figure du «bon historien» (liangshi 良史) dans les textes historiques de la Chine classique
- Ethnic tourism and Folksongs: A case study among the Blang (Bulang) of Yunnan, China
- The Recently Found Map of the World (Kunyutu 坤輿圖): A Philological Survey (Part II)
- Two Qaraquyunlu and Aqquyunlu ‘Turkmen’ Decrees in the Great Mosque of Mardin
- Les poèmes de Mao Zedong : Fleurs du mâle ou sublime prométhéen
- Rezensionen – Comptes Rendus – Book Reviews
- Riemenschnitter, Andrea, Jessica Imbach, and Justyna Jaguscik: Sinophone Utopias. Exploring Futures Beyond the China Dream
- Bihani Sarkar: Classical Sanskrit Tragedy. The Concept of Suffering and Pathos in Medieval India
- Van Auken, Newell Ann: Spring and Autumn Historiography: Form and Hierarchy in Ancient Chinese Annals
Articles in the same Issue
- Frontmatter
- Aufsätze – Articles – Articles
- Divine Causality and Human Free Will: Ṭūsī’s Solution and Its Historical Background
- La figure du «bon historien» (liangshi 良史) dans les textes historiques de la Chine classique
- Ethnic tourism and Folksongs: A case study among the Blang (Bulang) of Yunnan, China
- The Recently Found Map of the World (Kunyutu 坤輿圖): A Philological Survey (Part II)
- Two Qaraquyunlu and Aqquyunlu ‘Turkmen’ Decrees in the Great Mosque of Mardin
- Les poèmes de Mao Zedong : Fleurs du mâle ou sublime prométhéen
- Rezensionen – Comptes Rendus – Book Reviews
- Riemenschnitter, Andrea, Jessica Imbach, and Justyna Jaguscik: Sinophone Utopias. Exploring Futures Beyond the China Dream
- Bihani Sarkar: Classical Sanskrit Tragedy. The Concept of Suffering and Pathos in Medieval India
- Van Auken, Newell Ann: Spring and Autumn Historiography: Form and Hierarchy in Ancient Chinese Annals