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Reading Melling's Voyage pittoresque de Constantinople. Topography and Control
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Inge E Boer
Veröffentlicht/Copyright:
27. Februar 2008
Abstract
A historical document, such as Melling's Voyage pittoresque de Constantinople, that deals with the ever complicated encounter between the West and the Orient begs for a critical perspective on the truth claims that it contains. History, I contend, is a thing of the present in that we approach it with concerns, questions and theories of today in order to make sense of past worlds. History, literary theory and art historical approaches intersect in my analysis of narrative structure and perspective in a collection that encompasses texts and topographical prints.
Published Online: 2008-02-27
Published in Print: 2003-10-14
© Walter de Gruyter
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Artikel in diesem Heft
- Portrait of an Interdisciplinary Life. John Neubauer zum 70. Geburtstag
- Introduction
- Thought-Images: A Brief History of Time
- The Return of the Dinosaurs: About Scientific Imagination and its Affects
- Borders and Monuments: Goethe's Reconstruction of the World as Knowledge
- History, Theory and Abraham Gottlob Werner
- Mynheer Peeperkorn's Fever
- Introduction
- History, Empire, Opera
- Music Albums: A Tiny Gesamtkunstwerk?
- Listening to Kurt Schwitters' Ursonate. A Dadaistic-Romantic transposition d'arts?
- Introduction
- Reading Melling's Voyage pittoresque de Constantinople. Topography and Control
- Penumbra
- Bruno Freddi's Vissuto
- From Stony Facts to Paper Flowers
- Picturing It. The Issue of Visuality in the Classical Theory of Metaphor
- Introduction
- The Practical Use of Historiography: from Haffner to Herodotus
- The Gap between Hannah Arendt and Franz Kafka
- Literature and Art in History
- Cultural Memory, Cultural History and Cultural Canons in the Third Millennium
- Cross-border Histories
- Introduction
- The Intolerable
- History, Theory and the Middle Voice
- Sacred Memory or Relics: Should Holocaust Documents Be Altered?
- Blasting the Historical Continuum: Stories of my Grandmother
- Der Erlkönig in Sarajevo: Did the monument forecast the catastrophe?
- Introduction
- Hans Mayer – Ansichten eines komparatistischen Außenseiters
- Mastering Adolescence in the Age of Cultural Studies
- Bamboozled by Literature
- Arguments for a Cross-Cultural Literary History. Theoretical and Practical Implications
- Comparative Literary History, Theory and Practice: John Neubauer's Contribution
- “Rich Seeds We Must Sow … But If Only a Few Will Take”
- John Neubauer's Cultural Geographies
- The Marathon Man
- Embracing the Horizon
- Rezensionen
Artikel in diesem Heft
- Portrait of an Interdisciplinary Life. John Neubauer zum 70. Geburtstag
- Introduction
- Thought-Images: A Brief History of Time
- The Return of the Dinosaurs: About Scientific Imagination and its Affects
- Borders and Monuments: Goethe's Reconstruction of the World as Knowledge
- History, Theory and Abraham Gottlob Werner
- Mynheer Peeperkorn's Fever
- Introduction
- History, Empire, Opera
- Music Albums: A Tiny Gesamtkunstwerk?
- Listening to Kurt Schwitters' Ursonate. A Dadaistic-Romantic transposition d'arts?
- Introduction
- Reading Melling's Voyage pittoresque de Constantinople. Topography and Control
- Penumbra
- Bruno Freddi's Vissuto
- From Stony Facts to Paper Flowers
- Picturing It. The Issue of Visuality in the Classical Theory of Metaphor
- Introduction
- The Practical Use of Historiography: from Haffner to Herodotus
- The Gap between Hannah Arendt and Franz Kafka
- Literature and Art in History
- Cultural Memory, Cultural History and Cultural Canons in the Third Millennium
- Cross-border Histories
- Introduction
- The Intolerable
- History, Theory and the Middle Voice
- Sacred Memory or Relics: Should Holocaust Documents Be Altered?
- Blasting the Historical Continuum: Stories of my Grandmother
- Der Erlkönig in Sarajevo: Did the monument forecast the catastrophe?
- Introduction
- Hans Mayer – Ansichten eines komparatistischen Außenseiters
- Mastering Adolescence in the Age of Cultural Studies
- Bamboozled by Literature
- Arguments for a Cross-Cultural Literary History. Theoretical and Practical Implications
- Comparative Literary History, Theory and Practice: John Neubauer's Contribution
- “Rich Seeds We Must Sow … But If Only a Few Will Take”
- John Neubauer's Cultural Geographies
- The Marathon Man
- Embracing the Horizon
- Rezensionen