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Tragicomic Historiography in Tibor Fischer's Under the Frog

  • Gerd Bayer
Published/Copyright: December 21, 2007
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Anglia
From the journal Volume 123 Issue 3

Abstract

Good fiction relies to a large extent on an appropriate relationship between style and content. A narrative's story and its treatment should support each other, lest the effect of the work of art be confusing to the reader and hence a failed effort to create an aesthetic version of reality. A novel that attempts to retell the tragic history of a violent revolution and at the same time tries to entertain the reader with a wealth of comic elements is facing a tough challenge, a challenge that Tibor Fischer takes on in Under the Frog. This essay deals with how Fischer combines what might seem to be mutually exclusive attitudes; the argument also examines the author's idiosyncratic comic technique. A close reading of Under the Frog shows that while the story supplies the tragic element, the novel's comic style provides the contrast and counterweight to the seriousness of its topic.

Published Online: 2007-12-21
Published in Print: 2006-March-23

© Max Niemeyer Verlag, Tübingen 2005

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