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4. Traces of the Way : The Poetry of “Divine Transcendence” in the Northern Song Anthology Literature’s Finest (Wen cui 文粹)
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Anna M. Shields
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Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Conventions for Frequently Cited Works 7
- Introduction 9
- 1. Brushing Past Rainbows: Religion and Poetry in the Xu Mi Stele 19
- 2. Li Bo and Hu Ziyang: Companions of the Way 41
- 3. The Vicarious Angler: Gao Pian’s Daoist Poetry 63
- 4. Traces of the Way : The Poetry of “Divine Transcendence” in the Northern Song Anthology Literature’s Finest (Wen cui 文粹) 87
- 5. A Re-examination of the Second Juan of the Array of the Five Talismans of the Numinous Treasure 太上靈寶五符序 109
- 6. “True Forms” and “True Faces”: Daoist and Buddhist Discourse on Images 133
- 7. After the Apocalypse: The Evolving Ethos of the Celestial Master Daoists 161
- 8. Shangqing Scriptures as Performative Texts 175
- 9. My Back Pages: The Sūtra in Forty-Two Chapters Revisited 197
- 10. Taking Stock 221
- Epilogue: Traversing the Golden Porte – The Problem with Daoist Studies 241
- Index 259
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Conventions for Frequently Cited Works 7
- Introduction 9
- 1. Brushing Past Rainbows: Religion and Poetry in the Xu Mi Stele 19
- 2. Li Bo and Hu Ziyang: Companions of the Way 41
- 3. The Vicarious Angler: Gao Pian’s Daoist Poetry 63
- 4. Traces of the Way : The Poetry of “Divine Transcendence” in the Northern Song Anthology Literature’s Finest (Wen cui 文粹) 87
- 5. A Re-examination of the Second Juan of the Array of the Five Talismans of the Numinous Treasure 太上靈寶五符序 109
- 6. “True Forms” and “True Faces”: Daoist and Buddhist Discourse on Images 133
- 7. After the Apocalypse: The Evolving Ethos of the Celestial Master Daoists 161
- 8. Shangqing Scriptures as Performative Texts 175
- 9. My Back Pages: The Sūtra in Forty-Two Chapters Revisited 197
- 10. Taking Stock 221
- Epilogue: Traversing the Golden Porte – The Problem with Daoist Studies 241
- Index 259