Book
Open Access
Inventing Cinema
Machines, Gestures and Media History
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Benoît Turquety
Language:
English
Published/Copyright:
2019
Author / Editor information
Turquety Benoît :
Benoît Turquety is a professor in the film department at the University of Lausanne and director of the SNF research project on Bolex and amateur cinema. He is a founding member of the Material Archival Studies Network, and a member of the Dispositives research group, of the Network for Experimental Media Archaeology, and the Technology and the Humanities project.
Reviews
"Inventing Cinema is meticulously researched, with particular success in focusing on important but neglected aspects of visual technologies." - Stephen Herbert, Journal of Film Preservation, 102, April 2020
"Turquety’s study of the invention of the cinema superbly unpacks the overwhelming impact of the "birth of the cinema" on academia, aesthetics, and both high and popular culture. It is a must-read for all in the fields of history of cinema, technology, and media." - Annie van den Oever (University of Groningen)
"Benoît Turquety’s book on the invention of the cinema manages to provide an overview of the way cinema came into the world that is precise in its historical detail and deep in its theoretical considerations. This is the finest single work on the invention of cinema I have yet read." - Tom Gunning (University of Chicago)
"Turquety’s study of the invention of the cinema superbly unpacks the overwhelming impact of the "birth of the cinema" on academia, aesthetics, and both high and popular culture. It is a must-read for all in the fields of history of cinema, technology, and media." - Annie van den Oever (University of Groningen)
"Benoît Turquety’s book on the invention of the cinema manages to provide an overview of the way cinema came into the world that is precise in its historical detail and deep in its theoretical considerations. This is the finest single work on the invention of cinema I have yet read." - Tom Gunning (University of Chicago)
Topics
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Frontmatter
1 -
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Table of Contents
7 -
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Acknowledgements
9 -
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Introduction: The Problems of Digital Cinema
11 -
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1. The Why and How of Machines
25 -
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2. Invention, Innovation, History
75 -
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3. The Invention of the Problem
103 -
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4. The Invention of the Cinématographe
151 -
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5. ‘Natural Colour Kinematography’, a New Cinema Invention: Kinemacolor, Technical Network and Commercial Policies
209 -
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6. Epilogue
231 -
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Bibliography
249 -
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Index
265
Publishing information
Pages and Images/Illustrations in book
eBook published on:
November 5, 2019
eBook ISBN:
9789048550463
Pages and Images/Illustrations in book
Main content:
268
Illustrations:
52
eBook ISBN:
9789048550463
Keywords for this book
Film technology; media history; digital cinema; early cinema; media archaeology
Audience(s) for this book
Professional and scholarly;
Creative Commons
BY-NC-ND 4.0