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4. The Motif of the Shooting Man, and Capturing the Urban Scene: Claude Lorrain and the Bamboccianti
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Sheila McTighe
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Chapters in this book
- Frontmatter 1
- Acknowledgements 5
- Table of Contents 7
- Illustration List 9
- Introduction: From Life 15
- 1. Caravaggio’s Physiognomy 41
- 2. Jacques Callot, Drawing Dal Vivo in 1620: Commerce in Florence, Piracy on the High Seas 91
- 3. Jacques Callot’s Capricci di varie figure (1617): The Allusive Imagery of the Everyday, Represented ‘from Life’ and Emulating a Text 145
- 4. The Motif of the Shooting Man, and Capturing the Urban Scene: Claude Lorrain and the Bamboccianti 179
- 5. The absent eyewitness: the Revolt of Masaniello and depiction dal vivo in the middle of the seventeenth century 221
- Conclusion 245
- Index 249
Chapters in this book
- Frontmatter 1
- Acknowledgements 5
- Table of Contents 7
- Illustration List 9
- Introduction: From Life 15
- 1. Caravaggio’s Physiognomy 41
- 2. Jacques Callot, Drawing Dal Vivo in 1620: Commerce in Florence, Piracy on the High Seas 91
- 3. Jacques Callot’s Capricci di varie figure (1617): The Allusive Imagery of the Everyday, Represented ‘from Life’ and Emulating a Text 145
- 4. The Motif of the Shooting Man, and Capturing the Urban Scene: Claude Lorrain and the Bamboccianti 179
- 5. The absent eyewitness: the Revolt of Masaniello and depiction dal vivo in the middle of the seventeenth century 221
- Conclusion 245
- Index 249