Technology and Film Scholarship: Experience, Study, Theory

Book Open Access

Technology and Film Scholarship

Experience, Study, Theory

Edited by: Santiago Hidalgo
In collaboration with: André Gaudreault

Language: English

Published/Copyright: 2018

Published by

View more publications by Amsterdam University Press

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This book is in the series

Film Theory in Media History

About this book

This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film.

Author / Editor information

Hidalgo Santiago :

Santiago Hidalgo is Director of the [Laboratoire CinéMédias](http://labocinemedias.ca/) and [Affiliate Professor](https://recherche.umontreal.ca/nos-chercheurs/repertoire-des-professeurs/chercheur/is/in28935/) at Université de Montréal. He is a member of the [TECHNÊS](http://technes.org/) *International Research Partnership on Cinema Technology* scientific committee and editor of the [Cinema and Technology](https://www.aup.nl/en/series/cinema-and-technology) series at Amsterdam University Press. He is co-editor of *The Blackwell Companion to Early Cinema* (Wiley, 2011).Gaudreault André :

André Gaudreault is a professor in the Department of Art History and Cinema Studies at the Université de Montréal and Canada Research Chair in Cinema and Media Studies.

Topics

Cultural Studies Genres and Media in Cultural Studies Film

Frontmatter Open Access Download PDF	1
Contents Open Access Download PDF	5
Acknowledgments Open Access Download PDF	7
Foreword André Gaudreault Open Access Download PDF	9
Introduction The Discursive Spaces Between a History of Film Technology and Technological Experience Santiago Hidalgo Open Access Download PDF	13
Section I: Experience
1. When Did Cinema Become Cinema? Technology, History, And The Moving Pictures Charles Musser Open Access Download PDF	33
2. Exhibition Practices In Transition: Spectators, Audiences, And Projectors Jan Olsson Open Access Download PDF	51
3. Reel Changes: Post-Mortem Cinephilia Or The Resistance Of Melancholia André Habib Open Access Download PDF	79
4. Walter Benjamin’S Play Room: Where The Future So Eloquently Nests , Or: What Is Cinema Again? Dana Cooley Open Access Download PDF	101
Section II: Study
5. Hitchcock, Film Studies, And New Media : The Impact Of Technology On The Analysis Of Film David Colangelo Open Access Download PDF	127
6. Film Analysis And Statistics: A Field Report Charles O’Brien Open Access Download PDF	149
7. A ‘Distant Reading’ Of The ‘Chaser Theory’ : Local Views And The Digital Generation Of New Cinema History Paul Moore Open Access Download PDF	169
Section III: Theory
8. Cine-Graphism : A New Approach To The Evolution Of Film Language Through Technology Tom Gunning Open Access Download PDF	195
9. Can We Have The Cave And Leave It Too? On The Meaning Of Cinema As Technology Vinzenz Hediger Open Access Download PDF	213
10. On Viewfinders, Video Assist Systems, And Tape Splicers : Questioning The History Of Techniques And Technology In Cinema Benoît Turquety Open Access Download PDF	239
Index Open Access Download PDF	261

Publishing information

Pages and Images/Illustrations in book

eBook published on:

November 1, 2017

eBook ISBN:

9789048525270

Pages and Images/Illustrations in book

Main content:

252

Illustrations:

9

Coloured Illustrations:

2

Other:

4 color plates, 16 halftones, 8 line drawings

https://doi.org/10.1515/9789048525270

eBook ISBN: 9789048525270

Keywords for this book

Technology; Film Experience; Film Study; Film Historiography; Film Scholarship

Audience(s) for this book

Professional and scholarly;

Creative Commons

BY-NC-ND 4.0

Technology and Film Scholarship

Overview

About this book

Author / Editor information

Topics

Table of contents

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