Das Werk im Zentrum

Developing an art-historically relevant and innovative question based on a key object is a complex matter. Each focused examination not only opens up specialist knowledge; at the same time, it provides a deep insight into a living piece of art history. With this in mind, the present volume brings together over 40 contributions by international authors who subject objects from the Frankfurt collections of the Städel Museum and the Liebieghaus collection of sculptures to focused analysis using various methodological approaches. Individual questions are developed and trenchant art history(s) told on the basis of works from the Middle Ages to the present day. These objects are showcased in order to reveal their many facets, somewhat like a kaleidoscope. Jochen Sander, who is closely associated with both collections, has advanced object-centred research in numerous publications and broken new methodological ground. This book is dedicated to him.

Artists: Max Beckmann, Sebald Beham, Gerrit Berckheyde, Mary Ellen Best, Jan de Bisschop, Arnold Böcklin, Gustave Courbet, Carlo Crivelli, Gerard David, Albrecht Dürer, Adam Elsheimer, Conrad Faber von Kreuznach, Georg Flegel, Hugo van der Goes, Pieter Janssens Elinga, Jan Kupezky, Quentin Massys, Alexander McQueen, Michiel van Mierevelt, Johann Ludwig Ernst Morgenstern, Giovanni Battista Moroni, Hans Multscher, Walter Pichler, Rembrandt van Rijn, Peter Roehr, Peter Paul Rubens, Roelant Savery, Daniel Soreau, Johann Heinrich Tischbein d. Ä., Werner Tübke, Rogier van der Weyden

• Highlights from the collection of the Städel Museum and the Liebieghaus collection of sculpture from the Middle Ages to the present day

Look inside https://issuu.com/deutscher_kunstverlag/docs/blick_ins_buch_das_werk_im_zentrum

Jochen Sander is both curator and deputy director of the Städel Museum and, since 2008, holder of the Städel Cooperative Professorship for Visual Arts in Germany and the Netherlands between the Late Gothic and Baroque periods at the Institute of Art History at Goethe University in Frankfurt am Main

Berit Wagner has been a research associate at the Institute of Art History at Goethe University Frankfurt am Main since 2008; she conducts research on a range of topics including the early modern art trade, art collecting, and various aspects of painting and art theory

Almut Pollmer-Schmidt is curator at the Landesmuseum Württemberg, Stuttgart. She worked for many years in the Old Masters Department of the Städel Museum and most recently, she was responsible for its catalogue of German Paintings 1550-1725

Heidrun Lange-Krach has been a research associate at the Städel Cooperative Professorship since 2022. Her research focus is on Southern German art around 1500 and digital scholarly communication. Previously, she was curator at the Maximilianmuseum Augsburg