Scripting Genocide
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Nicholas K. Johnson
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Funded by:
University of Luxembourg
About this book
Scripting Genocide traces the history of how and why the Wannsee Conference has repeatedly attracted the attention of American, British, and German artists, writers, and filmmakers since 1960. Almost all of their televisual depictions of the conference itself are sparse, minimalist, dialogue-driven productions. Their subtle, almost scholarly projection of the conference stands in stark contrast to the large-scale and often critically acclaimed attention devoted to other aspects of the Holocaust in both big-budget theatrical films and European art cinema.
Scripting Genocide investigates how the dramatic, fictionalized depictions of the Wannsee Conference offered filmmakers, and especially screenwriters, opportunities to be public historians. This book also contains the final interviews with screenwriters Paul Mommertz and Loring Mandel. Following the methods of the New Film History, which is grounded in archival production material, oral history interviews, and screenplay analysis, this book asks why and how filmmakers have grappled with portraying Wannsee in dramatic form since the 1960s. Each of these docudramas contributed to a diffuse body of work the author conceptualizes as "antifascist television." In the end, all of these productions argue that words prefigure deeds.
Author / Editor information
Reviews
“Too often, the actual work that goes into creating screened history is overlooked or oversimplified. Here, Johnson outlines how the projects, and particularly the scripts, were developed for each production over a number of years. To do this, he draws upon private and public archives and conducts interviews with an extensive range of those involved, offering the kind of in-depth insight rarely found...” – Rebecca Weeks, H-Soz-Kult, 01.12.2025.
Topics
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Frontmatter
I -
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Dedication
V -
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Acknowledgements
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Contents
XI -
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Glossary
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People on Tuesday: An Introduction
1 -
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Chapter 1 Early Portrayals of the Wannsee Conference on American Television, 1960–1994
33 -
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Chapter 2 Psychoanalyzing Nazi Perpetrators on Television – Reinhard Heydrich – Manager of Terror (1977)
73 -
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Chapter 3 A Production History of The Wannsee Conference (1984)
94 -
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Chapter 4 The Wannsee Conference (1984) and its West German Reception
133 -
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Chapter 5 The Origins of HBO’s Conspiracy and its Unproduced Sequel, Complicity, 1995–1997
183 -
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Chapter 6 Writing and Filming Conspiracy, 1998–2000
222 -
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Chapter 7 Wannsee as Prestige Television Drama and the fate of Complicity: 2001–2003
270 -
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Chapter 8 The Conference and Portraying Holocaust Perpetrators in the 2020s
317 -
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Conclusion
372 -
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Bibliography
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Index
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