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15 Telegony

  • Christos Tsagalis
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© 2022 Walter de Gruyter GmbH, Berlin/Boston

© 2022 Walter de Gruyter GmbH, Berlin/Boston

Chapters in this book

  1. Frontmatter I
  2. Preface VII
  3. Contents IX
  4. List of Abbreviations XI
  5. List of the Original Publication Venues XIII
  6. List of Tables XV
  7. Introduction XVII
  8. Part I: Homer
  9. 1 Towards an Oral, Intertextual Neoanalysis 1
  10. 2 Detextualizing Homer: Intonation Units, Background Knowledge, and the Proems of the Iliad and the Odyssey 34
  11. 3 The Dynamic Hypertext: Lists and Catalogues in the Homeric Epics 43
  12. 4 Naming Helen: Localization, Meter, and Semantics of a Homeric Character 68
  13. 5 Epic Space Revisited: Narrative and Intertext in the Episode between Diomedes and Glaucus (Il. 6.119–236) 83
  14. 6 Ἀπ᾽/κατ᾽ αἰγίλιπος πέτρης: Homeric Iconyms and Hittite Answers 110
  15. 7 Revisiting an Old Crux: Iliad 11.609–610 133
  16. 8 Iliad 11.662: A Note 155
  17. 9 Deauthorizing the Epic Cycle: Odysseus’ False Tale to Eumaeus (Od. 14.199–359) 163
  18. Part II: Hesiod
  19. 10 Poetry and Poetics in the Hesiodic Corpus 209
  20. 11 Soundplay in the Hesiodic Catalogue of Women 256
  21. Part III: The Epic Cycle
  22. 12 The Gods in Cyclic Epic 283
  23. 13 γυναίων εἵνεκα δώρων: Interformularity and Intertraditionality in Theban and Homeric Epic 312
  24. 14 Cypria fr. 19 (PEG, GEF): A Reconsideration 355
  25. 15 Telegony 384
  26. 16 Verses Attributed to the Telegony 407
  27. Part IV: The Performance of Epic
  28. 17 Ἀοιδός and ῥαψῳδός: Methodological Problems and Assumptions 427
  29. 18 Performance Contexts for Rhapsodic Recitals in the Archaic and Classical Periods 463
  30. 19 Performance Contexts for Rhapsodic Recitals in the Hellenistic Period 511
  31. 20 Rhapsodes and Rhapsodic Recitals in the Imperial Period 543
  32. Bibliography 577
  33. General Index 609
  34. Index of Hesiodic and Homeric Passages 623
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