10 Ἀνωνύμου σύγγραμμα περὶ μουσικῆς (Anonymi Bellermann)

Kapitel in diesem Buch

1. Frontmatter i
2. Preface v
3. Abbreviations ix
4. Contents xi
5. 1 Pseudo-Plutarch, De Musica 1
6. 2 Twelve Chordai and the Strobilos of Phrynis in the Chiron of Pherecrates (PCG F 155) 19
7. 3 Pythikos and Polykephalos Nomos 37
8. 4 Antike Bildersprache im Kirchenlied 47
9. 5 The Oldest Greek Papyrus and Writing Tablets 59
10. 6 Chapters about music on the stage in the Pseudo-Aristotelian Problems 77
11. 7 The tradition of Ancient Greek Music in the Middle Ages and the Renaissance 93
12. 8 Ambrosian Hymns: Evidence for Roman Music of Late Antiquity? 111
13. 9 The Monody of the Hoopoe in Aristophanes’ Birds 227–262 127
14. 10 Ἀνωνύμου σύγγραμμα περὶ μουσικῆς (Anonymi Bellermann) 141
15. 11 Aristoxenus of Tarentum, Life and Works 153
16. 12 The Chapter de voce (περὶ φωνῆς) in Ancient Musicology and Rhetorics from Aristoxenus to Dionysius of Halicarnassus 183
17. 13 The Alphabet Comedy of Callias of Athens in Athenaiosʼ Deipnosophistai 207
18. 14 The Regain of Ancient Greek Music and the contribution of Papyrology 227
19. 15 Pausanias Periegesis vol. I, Sources, Structure and Importance for Ancient Greek Music 251
20. Curriculum of Egert Pöhlmann 279
21. Titles of Egert Pöhlmann since 2009 281
22. Sources of Images 285
23. Plates 287
24. E1 Erratum to: Preface 307