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Exploring Aristotle’s Poetics as a source for lost tragedies
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Ioanna Karamanou
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Kapitel in diesem Buch
- Frontmatter I
- Preface VII
- Contents IX
- Abbreviations XI
- Introduction 1
-
Part I: Inter-dramatic Dialogues
- ‘All’s well that ends well’: Euripides’ response to Sophocles’ Antigone 15
- Alope’s legend and its dramatic refigurations 26
- Tragedy into Comedy: Euripides’ Alcmeon in Corinth as a source text of Menander’s Periceiromene 48
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Part II: Tragedy through Aristotelian Spectacles
- Exploring Aristotle’s Poetics as a source for lost tragedies 61
- Aristotle’s reception of the lysis in Theodectes’ Lynceus: Remarks on Poet. 11, 1452a 27–29 and 18, 1455b 29–32 73
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Part III: Iconographic Reception
- The representation of Euripides’ Dictys in South Italian painted pottery 85
- The reception of Euripides’ Alexandros in Etruscan iconography 97
-
Part IV: Performing Fragments
- Euripides’ Alexandros in performance 117
- Bibliography 129
- General Index 153
- Index of Passages Discussed 159
Kapitel in diesem Buch
- Frontmatter I
- Preface VII
- Contents IX
- Abbreviations XI
- Introduction 1
-
Part I: Inter-dramatic Dialogues
- ‘All’s well that ends well’: Euripides’ response to Sophocles’ Antigone 15
- Alope’s legend and its dramatic refigurations 26
- Tragedy into Comedy: Euripides’ Alcmeon in Corinth as a source text of Menander’s Periceiromene 48
-
Part II: Tragedy through Aristotelian Spectacles
- Exploring Aristotle’s Poetics as a source for lost tragedies 61
- Aristotle’s reception of the lysis in Theodectes’ Lynceus: Remarks on Poet. 11, 1452a 27–29 and 18, 1455b 29–32 73
-
Part III: Iconographic Reception
- The representation of Euripides’ Dictys in South Italian painted pottery 85
- The reception of Euripides’ Alexandros in Etruscan iconography 97
-
Part IV: Performing Fragments
- Euripides’ Alexandros in performance 117
- Bibliography 129
- General Index 153
- Index of Passages Discussed 159