15 Performing for the Nation: Perspectives on Musical Diplomacy

Chapters in this book

1. Frontmatter i
2. Table of Contents v
3. On the “Contemporary European History” Handbook Series 1
4. 1 Introduction: Musicking in Twentieth-Century Europe 3
5. Part I: Originating Music
6. 2 Diversifying Composition: Practices of Inventing Music 33
7. 3 Performing for Pay: The Making and Undoing of the Music Profession 59
8. 4 Driven by Enthusiasm, Harnessed by Politics: Amateuring in Music 79
9. Part II: Managing Music
10. 5 Prestige, Profit, and the Right to Culture: Funding Music Through the State 105
11. 6 Cultures of Donating: Musical Patronage 125
12. 7 Commodifying Music: Tickets, Copies, and Licenses 145
13. Part III: Mediating Music
14. 8 Creating Maps, Generating Meanings: Music Criticism 169
15. 9 Sounds, Tracks, and Signals: Recording Music 189
16. 10 Sounds on Air: Musicalizing Radio—Radiofying Music 211
17. Part IV: Socializing in Music
18. 11 Socially Engaging with Music: Pleasure, Distinction, and Identity 235
19. 12 Getting Together to “Get Down”: Social Dancing from Dance Hall to Rave 257
20. 13 Extending the Sonic Bubble: Solitary Listening as a Technology of the Self 281
21. Part V: Politicizing Music
22. 14 Conducting the Masses: State Propaganda and Censorship 303
23. 15 Performing for the Nation: Perspectives on Musical Diplomacy 325
24. 16 Shouting Back: Popular Music and Protest 347
25. Part VI: Globalizing Music
26. 17 Glocal Invasions: Appropriating Music from Abroad 371
27. 18 Global Connections: Attuning to European Music Abroad 393
28. 19 Backstage Integration: Europeanizing Musical Life Through International Organizations 417
29. List of Contributors 439
30. Index 443