Home ‘Her Seedy Elegance’ – An Intermedial Investigation of Crowds as a Central Part of Dublin’s Soundscape in James Joyce’s Ulysses (1922) and Liam O’Flaherty’s The Informer (1925)
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‘Her Seedy Elegance’ – An Intermedial Investigation of Crowds as a Central Part of Dublin’s Soundscape in James Joyce’s Ulysses (1922) and Liam O’Flaherty’s The Informer (1925)

  • Annika Eisenberg
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Place-Making in the Declarative City
This chapter is in the book Place-Making in the Declarative City

Abstract

This study investigates the sounds of urban cities by using examples from James Joyce’s novel Ulysses (1922) and Liam O’Flaherty’s The Informer (1925). A comparison is drawn between the depiction of sound in the novels, as well their respective film adaptations directed by Strick (1967) and Ford (1935). The focus is on the crowds that make up the social fabric of the city, particularly their sonic representation. The aim of the study is a paradigm shift from the visual to the auditory analysis of the urban city. Volume, tempo, dissonance, distance and disorientation are some of the principles which are taken into consideration. The author concludes with an analysis of sound as an urban sublime as a first stepping stone towards a more multisensory investigation of the city that includes not just visual, but also auditory, olfactory, and tactile experiences.

Abstract

This study investigates the sounds of urban cities by using examples from James Joyce’s novel Ulysses (1922) and Liam O’Flaherty’s The Informer (1925). A comparison is drawn between the depiction of sound in the novels, as well their respective film adaptations directed by Strick (1967) and Ford (1935). The focus is on the crowds that make up the social fabric of the city, particularly their sonic representation. The aim of the study is a paradigm shift from the visual to the auditory analysis of the urban city. Volume, tempo, dissonance, distance and disorientation are some of the principles which are taken into consideration. The author concludes with an analysis of sound as an urban sublime as a first stepping stone towards a more multisensory investigation of the city that includes not just visual, but also auditory, olfactory, and tactile experiences.

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