Saxum vivum and lapides viventes: Animated Stone in Medieval Book Illumination

Chapters in this book

1. Frontmatter I
2. Contents V
3. Canones: The Art of Harmony VII
4. Carl Nordenfalk 1
5. Do the Eusebian Canon Tables Represent the Closure or the Opening of the Biblical Text? Considering the Case of Codex Fuldensis 17
6. Transmission and Transformation of the Eusebian Gospel Apparatus in Greek Medieval Manuscripts 29
7. The Eusebian Apparatus in Irish Pocket Gospel Books: Absence, Presence and Addition 47
8. An Ethiopian Miniature of the Tempietto in the Metropolitan Museum of Art: Its Relatives and Symbolism 67
9. Beyond Eusebius: Prefatory Images and the Early Book 99
10. Eusebian Reading and Early Medieval Gospel Illumination 133
11. A Tale of Two Tables: Echoes of the Past in the Canons of the Sainte-Croix Gospels 173
12. Saxum vivum and lapides viventes: Animated Stone in Medieval Book Illumination 193
13. Shifting Frames: The Mutable Iconography of Canon Tables 209
14. List of Contributors 251
15. Index of Manuscripts 253