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Ein Filmphilosophie-Symposium mit Robert B. Pippin

Western, Film Noir und das Kino der Brüder Dardenne
  • Edited by: Ludwig Nagl and Waldemar Zacharasiewicz
Languages: German, English
Published/Copyright: 2016
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About this book

Robert B. Pippin played a major role in shaping film philosophy as a special theme of aesthetics. This volume combines an essay by Pippin with papers by international authors who are associated with his research. Beyond the general realm of film and philosophy, there are readings of key film genres, including the Western and film noir, where Pippin's analyses are compared with those of Deleuze and Žižek.

Author / Editor information

Ludwig Nagl und Waldemar Zacharasiewicz, Universität Wien, Österreich.


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Ludwig Nagl
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Waldemar Zacharasiewicz
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I. Photographing Mindedness

Cinematic Technique and Philosophy in the Films of the Dardenne Brothers
Robert B. Pippin
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II. Film und Philosophie

A Hegelian Projection
Josef Früchtl
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Zur Dialektik des filmischen Bildes zwischen Abwesenheit und Anwesenheit
Gertrud Koch
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Die Suggestivkraft des Mediums Film
Birgit Recki
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Krzysztof Piotr Skowroński
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III. Western

Karl Marx und der Hollywood-Western
Hauke Brunkhorst
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Revisionismus in John Fords Fort Apache und The Man Who Shot Liberty Valance
Karl A. Duffek
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Steven Burns
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IV. Westerns and the American South

Images of the Region since the 1940s
Waldemar Zacharasiewicz
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V. Film Noir

Carmen Birkle
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Erwägungen zu Pippins Lektüren des Film Noir
Ludwig Nagl
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Arno Böhler
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VI. Diskussionsbemerkung

Eine Diskussionsbemerkung zu Robert Pippins Deutung von Le Fils
Herta Nagl-Docekal
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VII. Replik

Robert B. Pippin
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
March 21, 2016
eBook ISBN:
9783110429831
Hardcover published on:
March 21, 2016
Hardcover ISBN:
9783110437850
Pages and Images/Illustrations in book
Main content:
255
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