The Great War in Post-Memory Literature and Film
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Edited by:
Martin Löschnigg
Martin LöschniggSearch for this author in:Marzena Sokolowska-ParyzSearch for this author in:
About this book
The twenty-seven original contributions to this volume investigate the ways in which the First World War has been commemorated and represented internationally in prose fiction, drama, film, docudrama and comics from the 1960s until the present. The volume thus provides a comprehensive survey of the cultural memory of the war as reflected in various media across national cultures, addressing the complex connections between the cultural post-memory of the war and its mediation. In four sections, the essays investigate (1) the cultural legacy of the Great War (including its mythology and iconography); (2) the implications of different forms and media for representing the war; (3) ‘national’ memories, foregrounding the differences in post-memory representations and interpretations of the Great War, and (4) representations of the Great War within larger temporal or spatial frameworks, focusing specifically on the ideological dimensions of its ‘remembrance’ in historical, socio-political, gender-oriented, and post-colonial contexts.
Author / Editor information
Marzena Sokołowska-Paryż, University of Warsaw, Poland;
Martin Löschnigg, University of Graz, Austria.
Supplementary Materials
Topics
Publicly Available Download PDF |
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Publicly Available Download PDF |
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Part 1: ‘Entrenched’(?) Perspectives: The Legacy of the Great War
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Margot Norris Requires Authentication Unlicensed Licensed |
17 |
Caroline Perret Requires Authentication Unlicensed Licensed |
29 |
Ross J. Wilson Requires Authentication Unlicensed Licensed |
43 |
Marlene A. Briggs Requires Authentication Unlicensed Licensed |
59 |
Paul Skrebels Requires Authentication Unlicensed Licensed |
81 |
Ty Hawkins Requires Authentication Unlicensed Licensed |
95 |
Part 2: The Challenge of Form: How to ‘Remember’ the Great War?
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Thomas F. Schneider Requires Authentication Unlicensed Licensed |
109 |
Marek Paryż Requires Authentication Unlicensed Licensed |
121 |
Michael Paris Requires Authentication Unlicensed Licensed |
135 |
Martin Löschnigg Requires Authentication Unlicensed Licensed |
153 |
David Malcolm Requires Authentication Unlicensed Licensed |
171 |
Phil Fitzsimmons and Daniel Reynaud Requires Authentication Unlicensed Licensed |
187 |
Jean Anderson Requires Authentication Unlicensed Licensed |
201 |
Part 3: Identities: The Great War and National Post-Memories
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Sherrill Grace Requires Authentication Unlicensed Licensed |
219 |
Hanna Teichler Requires Authentication Unlicensed Licensed |
239 |
Christina Spittel Requires Authentication Unlicensed Licensed |
255 |
Clare Rhoden Requires Authentication Unlicensed Licensed |
273 |
Daniel Reynaud Requires Authentication Unlicensed Licensed |
289 |
Richard Slotkin Requires Authentication Unlicensed Licensed |
305 |
Maurizio Cinquegrani Requires Authentication Unlicensed Licensed |
321 |
Marzena Sokołowska-Paryż Requires Authentication Unlicensed Licensed |
335 |
Angela Brintlinger Requires Authentication Unlicensed Licensed |
349 |
Part 4: Interrogations: Cross-Cultural and Trans-Historical (Re) Interpretations of the Great War
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Geert Buelens Requires Authentication Unlicensed Licensed |
365 |
Richard Smith Requires Authentication Unlicensed Licensed |
385 |
Anne Samson Requires Authentication Unlicensed Licensed |
397 |
Alicia Fahey Requires Authentication Unlicensed Licensed |
411 |
Brigitte Johanna Glaser Requires Authentication Unlicensed Licensed |
427 |
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443 |
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451 |
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455 |
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