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Chapter 3. What is (in) an Image? Mimesis, Representability, and Visual History
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Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- List of Abbreviations xi
- Introduction. Why W. G. Sebald 1
- Chapter 1. Literature as Historiography in Context 33
- Chapter 2. Conscious Historiography and the Writer’s Conscience 69
- Chapter 3. What is (in) an Image? Mimesis, Representability, and Visual History 100
- Chapter 4. Chronology and Coincidence in the Narrative Cosmos 150
- Chapter 5. Witness and Testimony in Literary Memory 182
- Chapter 6. Translation as Metaphor and Conservative Innovation 216
- Conclusion. Panoramic Outlook 246
- Bibliography of W. G. Sebalds Primary Works and of Works Cited 250
- Name Index 279
- Subject Index 286
Kapitel in diesem Buch
- Frontmatter i
- Contents vii
- Acknowledgments ix
- List of Abbreviations xi
- Introduction. Why W. G. Sebald 1
- Chapter 1. Literature as Historiography in Context 33
- Chapter 2. Conscious Historiography and the Writer’s Conscience 69
- Chapter 3. What is (in) an Image? Mimesis, Representability, and Visual History 100
- Chapter 4. Chronology and Coincidence in the Narrative Cosmos 150
- Chapter 5. Witness and Testimony in Literary Memory 182
- Chapter 6. Translation as Metaphor and Conservative Innovation 216
- Conclusion. Panoramic Outlook 246
- Bibliography of W. G. Sebalds Primary Works and of Works Cited 250
- Name Index 279
- Subject Index 286
