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Kapitel in diesem Buch
- Frontmatter 1
-
PREFACE
- DEDICATION 19
- VOICES 20
- NATURE 21
- SENSES 22
- SCREENS 24
- PRESENCE 25
- SUBJECTS 26
- TURN 28
- NUMBERS and the SUN 29
- CIRCLES 30
- RENAISSANCE 32
- INVARIANCES 32
- GOVERNANCE 35
- THREATS 36
- ARCHITECTURE 37
- INSTRUMENT 37
- LITERACY 38
- LEARNING 39
- FRITZ HALLER 40
-
OBSTACLE
- The ARCHITECT 43
- INVARIANCE 47
- SEDUCTION 50
- HUMANISM 58
- INTEGRATION 59
- THE ARCHITECTURAL SCALARITIES 62
- THE HUMAN SCALARITIES 65
- DEDICATION 67
- THE 20th CENTURY SCALARITY 68
-
OBJECTIVITY
- DOMAINS 81
- PREFACE 85
- The VISUAL 89
- The EYE 91
-
Being DISTINCTIVE
- I SEE ALONG THE AXIS OF TIME 94
- The IMAGE and the PICTURE 95
- ARCHITECTURE 98
- SCAFFOLDS of TERMS 100
- MYTHICAL ENTITIES 102
- ABSTRACTION 106
- A LOOK at INFORMATION 110
- A LOOK at LANGUAGE 112
-
The POWER of NUMBERS
- I SEE WHAT NUMBERS CAN SHOW 115
- The CALCULUS 119
- The FRAMING PROBLEM 121
- The ANALOGUE and the DIGITAL 123
- The IMAGE of CLASSIFICATION 125
- The ANALYTICAL VIEW 128
- The PHOTOGRAPHIC EYE 132
- PICTURE ANYTHING 134
- IMAGE of PRODUCTION 136
-
SEEING EVERYTHING
- FUNCTION vs EQUATION 141
- LIBERATION, ROTATION, and the COMPLEX PLANE 147
- SCREENS 158
-
The AUDITIVE
- The EAR 161
- I HEAR THE AXIS OF SPACE 167
- I SAY WHAT CHARACTERS CAN HEAR 169
- COMMUNICATION 173
- SOUND takes SPACE 177
- Turing Machine 183
- Von Neumann Architecture 190
- The Dominance of LOGIC 192
- The Dominance of ECONOMY 193
- The Dominance of the VISUAL 194
- Processing 195
- Interpreters and Compilers 198
- The Two Paradigms 201
- The SOUND of the 1960s 206
- The SOUND of the 1980s 208
- The SOUND of the 2000s 209
-
APPENDIX
- INDEX OF WORDS 213
- SOURCES FOR IMAGES AND GRAPHICS 224
- COLOUR CODE 227
Kapitel in diesem Buch
- Frontmatter 1
-
PREFACE
- DEDICATION 19
- VOICES 20
- NATURE 21
- SENSES 22
- SCREENS 24
- PRESENCE 25
- SUBJECTS 26
- TURN 28
- NUMBERS and the SUN 29
- CIRCLES 30
- RENAISSANCE 32
- INVARIANCES 32
- GOVERNANCE 35
- THREATS 36
- ARCHITECTURE 37
- INSTRUMENT 37
- LITERACY 38
- LEARNING 39
- FRITZ HALLER 40
-
OBSTACLE
- The ARCHITECT 43
- INVARIANCE 47
- SEDUCTION 50
- HUMANISM 58
- INTEGRATION 59
- THE ARCHITECTURAL SCALARITIES 62
- THE HUMAN SCALARITIES 65
- DEDICATION 67
- THE 20th CENTURY SCALARITY 68
-
OBJECTIVITY
- DOMAINS 81
- PREFACE 85
- The VISUAL 89
- The EYE 91
-
Being DISTINCTIVE
- I SEE ALONG THE AXIS OF TIME 94
- The IMAGE and the PICTURE 95
- ARCHITECTURE 98
- SCAFFOLDS of TERMS 100
- MYTHICAL ENTITIES 102
- ABSTRACTION 106
- A LOOK at INFORMATION 110
- A LOOK at LANGUAGE 112
-
The POWER of NUMBERS
- I SEE WHAT NUMBERS CAN SHOW 115
- The CALCULUS 119
- The FRAMING PROBLEM 121
- The ANALOGUE and the DIGITAL 123
- The IMAGE of CLASSIFICATION 125
- The ANALYTICAL VIEW 128
- The PHOTOGRAPHIC EYE 132
- PICTURE ANYTHING 134
- IMAGE of PRODUCTION 136
-
SEEING EVERYTHING
- FUNCTION vs EQUATION 141
- LIBERATION, ROTATION, and the COMPLEX PLANE 147
- SCREENS 158
-
The AUDITIVE
- The EAR 161
- I HEAR THE AXIS OF SPACE 167
- I SAY WHAT CHARACTERS CAN HEAR 169
- COMMUNICATION 173
- SOUND takes SPACE 177
- Turing Machine 183
- Von Neumann Architecture 190
- The Dominance of LOGIC 192
- The Dominance of ECONOMY 193
- The Dominance of the VISUAL 194
- Processing 195
- Interpreters and Compilers 198
- The Two Paradigms 201
- The SOUND of the 1960s 206
- The SOUND of the 1980s 208
- The SOUND of the 2000s 209
-
APPENDIX
- INDEX OF WORDS 213
- SOURCES FOR IMAGES AND GRAPHICS 224
- COLOUR CODE 227