VI. FROM THE BIT TO THE PIT: POETICS OF THE FINANCIAL MARKET

Chapters in this book

1. Frontmatter 1
2. TABLE OF CONTENTS 6
3. INTRODUCTION 8
4. I. CRYPTO ARCHITECTURE: NOTES ON MACHINE LEARNING AND DESIGN 21
5. II. AN INSTRUMENT FOR COMMUNICATION: THE SELF-ORGANIZING MODEL 31
6. III. FORMAL CREATURES: GILLES CHÂTELET ’S METAPHORS 53
7. IV. VOIDS, BRANDS, CHARACTERS, AND HOW TO DEAL WITH LOTS 63
8. V. AMBIGUITY AND INFORMATION IN THE CONTEXT OF ‘ NATURAL COMMUNICATION ’: AN OBSTACLE-ORIENTED GALOISIAN STANDPOINT 81
9. VI. FROM THE BIT TO THE PIT: POETICS OF THE FINANCIAL MARKET 91
10. VII. THE ART OF EXAGGERATION 103
11. VIII. ARCHITECTURE, AN ARTIFICIAL INTELLIGENCE 115
12. IX. THE AURAL: HEIDEGGER AND FUNDAMENTAL OTO-CHEIRO-LOGY II 127
13. X. REFLECTIONS OF AN IMAGINARY OBJECT ON A SILURIAN LAKE 137
14. XI. PENTECOST — A MODEL OF COMMUNICATION FOR 21^ST CENTURY ARCHITECTURE 145
15. XII. BETWEEN DISEGNO & DESIGN THINKING 161
16. XIII. CRYSTAL OF THINGS 171
17. XIV. ARCHITECTURE OF THE DIAPHANOUS 183
18. XV. THE DESIGNS OF THE NATURAL 197
19. XVI. MYTHIC NOISE: ARCHITECTURES OF GEOLOGICAL COMMUNICATION 207
20. XVII. PHOTONIC COMMUNICATIONS 223
21. XVIII. SOFTNESS, HARDNESS: CONTEMPLATING ARCHITECTONIC CIRCUITS OF MEDIACY AND IMMEDIACY 233
22. XIX. EXCERPTS FROM CHRONICLES OF THE DIGITAL 245
23. XX. TRAVELLING ON PLANETS OF RESONATING CONCEPTS. IDENTIFICATION AND DIRECTIONALITY BETWEEN COMPUTATIONAL AND ARCHITECTONIC 255
24. XXI. AN ESSAY ON THE GLOSSOMATIC PROCESS OF COMMUNICATING COMMUNICATIONS AND OTHER WORDS 267
25. XXII. WHEN OTHERS PASSING BY BEHOLD: MEDIA STUDIES AND ARCHIVES ACROSS CULTURES 281
26. XXIII. FLUID SPACES, ENCHANTED FORESTS 299
27. XXIV. SPACE AS AFFECTIVE SENSE-MAKING CAPACITY 305
28. XXV. A FEW PROTOCOL SENTENCES ON: NON-SYNTHESIS, THE VOLUMINOUS FORM OF IDEAS, TEMPORALITIES OF CREATION, HYPER-COMPATIBILITY 315
29. XXVI. THE DIGITAL, A CONTINENT? ANARCHIC CITIZENSHIP WITHIN THE OBJECT-SPACE OF CUNNING REASON 321
30. IMAGE REFERENCES 335