Chapter 4. Three Sketches for a Critical Approach to Textual Heritage in Japanese Court Music (Gagaku)

Chapters in this book

1. Frontmatter I
2. Contents V
3. List of Figures VII
4. Introduction. Heritagizing Texts, Textualizing Heritage 1
5. Chapter 1. “Textual Heritage” as a Catalyst for Humanistic Heritage Studies? The What, Why, and How 32
6. Chapter 2. The Dislocated Text as Global Heritage: Canonization, Translation, and Circulation of Verlaine and “Chanson d’automne” between France and Japan 63
7. Chapter 3. (Con)textual Heritage and Bibliography 87
8. Chapter 4. Three Sketches for a Critical Approach to Textual Heritage in Japanese Court Music (Gagaku) 112
9. Chapter 5. Textualization as Cultural Heritage: The Case of the Pyramid Texts 140
10. Chapter 6. Heritage Discourses in Early Japan: Analyzing Strategies of Textual Appropriation in Poetic Anthologies of the Eighth and Ninth Centuries 155
11. Chapter 7. Japanese Linked Verse (Renga): Textual Heritage and Beyond 183
12. Chapter 8. Topology and the Spatial Imaginary: Maps as Convergent Sites of Textual Heritage 215
13. Chapter 9. Digital Strategies for the Decanonization of Textual Heritage 236
14. Chapter 10. Future Relations of Textual Heritage 258
15. Afterword. Textual Heritage: A Discussion of Intangible Heritage, Embodiment, and Authenticity Beyond “Text” 277
16. Index 283