Music and Postwar Transitions in the 19th and 20th Centuries
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Edited by:
Anaïs Fléchet
About this book
Music and Postwar Transitions takes a groundbreaking and much anticipated dive into the concept of postwar transitions and how these affect and are affected by the world of music. Leading scholars in the field explore new approaches to create a novel understanding of music and postwar periods.
Author / Editor information
Anaïs Fléchet is Associate professor in International History at the University Paris-Saclay, and member of the research team Centre d’histoire culturelle des sociétés contemporaines. Her research focuses on music, international history, Brazil and the Global South.
Martin Guerpin is Assistant professor in Musicology at Paris-Saclay University. His research focuses on the relations between art and popular music, the relationship between music and identities (XIXth XXIth centuries), and musical life in casinos.
Philippe Gumplowicz is Emeritus Professor at the University Paris-Saclay. He previously served as the Head of the Department of Langues Arts Musique and Director of the School of Humanities at University Paris-Saclay.
Barbara L. Kelly is Professor of Music and Head of the School of Music at the University of Leeds. From 2015 to 2022 she was Director of Research and Professor of Musicology at the Royal Northern College of Music. She is also President of the Royal Musical Association (2021-24) and was elected to the Academia Europaea in 2020.
Anaïs Fléchet is Associate professor in International History at the University Paris-Saclay, and member of the research team Centre d’histoire culturelle des sociétés contemporaines. Her research focuses on music, international history, Brazil and the Global South.
Topics
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Anaïs Fléchet, Martin Guerpin, Philippe Gumplowicz and Barbara L. Kelly Requires Authentication Unlicensed Licensed Download PDF |
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Part I. Reconstructing the Music World
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Hervé Lacombe Requires Authentication Unlicensed Licensed Download PDF |
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Pablo Palomino Requires Authentication Unlicensed Licensed Download PDF |
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Friedemann Pestel Requires Authentication Unlicensed Licensed Download PDF |
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Part II A GRADUAL DEMOBILIZATION: MUSIC, CULTURES OF WAR, AND NATIONAL IMAGINATIONS
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Emmanuel Reibel Requires Authentication Unlicensed Licensed Download PDF |
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Martin Guerpin Requires Authentication Unlicensed Licensed Download PDF |
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Philippe Gumplowicz Requires Authentication Unlicensed Licensed Download PDF |
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Michael Wedekind Requires Authentication Unlicensed Licensed Download PDF |
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Part III MEMORY, MOURNING, AND COMMEMORATION
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Sophie-Anne Leterrier Requires Authentication Unlicensed Licensed Download PDF |
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Lesley Hughes Requires Authentication Unlicensed Licensed Download PDF |
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Jean-Sébastien Noël Requires Authentication Unlicensed Licensed Download PDF |
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Benjamin Chemouni and Assumpta Mugiraneza Requires Authentication Unlicensed Licensed Download PDF |
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Part IV MUSIC FOR PEACE AND RECONCILIATION?
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Damien Mahiet Requires Authentication Unlicensed Licensed Download PDF |
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Barbara L. Kelly Requires Authentication Unlicensed Licensed Download PDF |
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Anaïs Fléchet Requires Authentication Unlicensed Licensed Download PDF |
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