CHAPTER 8 Music for early-nineteenth-century guitars in the saleroom, private hands and public collections

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Illustrations ix
4. Music examples xiii
5. The editors and the contributors xiv
6. Foreword xx
7. Acknowledgements xxii
8. Abbreviations xxiii
9. Introduction: The Great Vogue for the guitar 1
10. PART I Contexts
11. CHAPTER 1 Eighteenth-century precedents: the role of Paris 13
12. CHAPTER 2 The Great Vogue for the guitar: an overview 29
13. CHAPTER 3 The instrument and its makers 41
14. CHAPTER 4 Printing and publishing music for the guitar 57
15. CHAPTER 5 Amateurs and professionals 77
16. CHAPTER 6 Teaching and learning the guitar 93
17. CHAPTER 7 Early-nineteenth-century guitars in the saleroom, private hands and public collections 107
18. CHAPTER 8 Music for early-nineteenth-century guitars in the saleroom, private hands and public collections 121
19. PART II The repertoire and its composers
20. CHAPTER 9 Accompanied song 139
21. CHAPTER 10 Chamber music for the guitar 157
22. CHAPTER 11 Ferdinando Carulli (1770–1841) 173
23. CHAPTER 12 Mauro Giuliani (1781–1829) 187
24. CHAPTER 13 Fernando Sor (1778–1839) 203
25. CHAPTER 14 Dionisio Aguado (1784–1849) 221
26. CHAPTER 15 Emilia Giuliani (1813–1850) 237
27. CHAPTER 16 Giulio Regondi (1822/23–1872) and Catharina Pratten, née Pelzer (1824–1895) 251
28. Appendix: A note on string-making 269
29. Glossary of guitar terms 272
30. Select bibliography 275
31. Index 295