Chapters in this book

1. Frontmatter i
2. List of Illustrations v
3. List of Illustrations vii
4. Introduction 1
5. Part I Histories
6. 1: Eighteenth-Century #MeToo: Rape Culture and Victim-Blaming in Heinrich Leopold Wagner’s Die Kindermörderin (1776) 33
7. 2: #MeToo: Prostitution and the Syntax of Sexuality around 1800 55
8. 3: “Immaculate” Conception, the “Romance of Rape,” and #MeToo: Kleistian Echoes in Kerstin Hensel and Julia Franck 83
9. 4: Female Sacrifice, Sexual Assault, and Dehumanization: Bourgeois Tragedy, Horror, and the Making of Jud Süß 100
10. 5: “Na, wenn du mich erst fragst?”: Reconsidering Affirmative Consent with Schnitzler, Schnitt, Habermas, and Rancière 123
11. Part III Sexual Violence, Warfare, and Genocide
12. 6: War of the Vulva: The Women of Otto Dix’s Lustmord Series 143
13. 7: Death to the Patriarchal Theater! Charlotte Salomon’s Graphic Testimony 171
14. 8: #MeToo and Wartime Rape: Looking Back and Moving Forward 197
15. Part IV The Institutions of #MeToo
16. 9: Boarding-School Novels around 1900: The Relation of Male Fear of Women to Male-Male Seduction and Sexual Abuse in Hesse, Musil, and Walser 217
17. 10: Breaking the Silence about Sexualized Violence in Lilly Axtser’s and Beate Teresa Hanika’s Young Adult Fiction (YAF) 244
18. 11: “Eine gigantische Vergewaltigung”: Rape as Subject in Roger Fritz’s Mädchen mit Gewalt (1970) 263
19. 12: Elfriede Jelinek and Ingeborg Bachmann: Transformations of the Capitalist Patriarchy and Narrating Sexual Violence in the Twentieth Century 283
20. 13: Staging Consent and Threatened Masculinity: The Debate on #MeToo in Contemporary German Theater 302
21. Part V #MeToo across Cultural and National Borders
22. 14: Patriarchy, Male Violence, and Disadvantaged Women: Representations of Muslims in the Crime Television Series Tatort 319
23. 15: Fatih Akin’s Head On: Challenging Mythologies of German Social Work in Gegen die Wand (2004) 346
24. 16: Is a Prostitute Rapeable? Teresa Ruiz Rosas’s Novel Nada que declarar in Dialogue with #MeToo 362
25. Notes on the Contributors 381
26. Index 387