9 Schoolboy Performance in the Post-Reformation North-East

Chapters in this book

1. Frontmatter i
2. Contents v
3. Illustrations vii
4. Acknowledgements ix
5. Abbreviations xi
6. Contributors xiii
7. Introduction 1
8. CENTRES OF MUSICAL ACTIVITY
9. 1 ‘All Mynstralles betwene the Ryvers of Trent & Twede … yerely resorte vnto this towne and Borough of Beverley’: Examining the Evidence for Beverley as the Late Medieval and Early Modern Centre for Professional Musicians in the North-East 13
10. 2 Recovering the Soundscape of Pre-Reformation Newcastle upon Tyne 29
11. 3 The Selection, Acquisition and Performance of Handel’s English Odes and Oratorios in Mid-Eighteenth-Century Durham 54
12. 4 Compositional Activity in Durham City, 1750–1810: Its Influences and Impact 70
13. 5 ‘I esteem my lot fortunate, in residing in this happy country’: Edward Miller, Social Networking and Music-Making in Eighteenth-Century Doncaster 89
14. SOURCES
15. 6 The York Antiphonal: History, Liturgy and Use in the Late Fifteenth Century 111
16. 7 Tunes for Violin or Recorder Collected in North-East England and London in the Late Seventeenth Century: The Provenance and Contents of the Blakiston Manuscript (GB-Lbl Add. MS 17853) 127
17. 8 From Newcastle upon Tyne to Colonial Carolina: Transatlantic Tune Transmission and Durham Hills’s The Cashaway Psalmody (1770) 151
18. RECREATION AND EDUCATION
19. 9 Schoolboy Performance in the Post-Reformation North-East 175
20. 10 Amateur Music-Making among the Mercantile Community of Newcastle upon Tyne from the 1690s to the 1750s 192
21. 11 The Household Band of the Bowes of Gibside, County Durham, 1722–1760: Configuration, Repertoire, Training and Use 216
22. PRINT AND POPULAR SONG
23. 12 William Shield’s A Collection of Favourite Songs (c.1775) 241
24. 13 Between the Broadside Ballad and the Folksong: Print and Popular Songs in Eighteenth-Century Newcastle upon Tyne 261
25. 14 ‘Canny Newcassel’: Marshall’s Musical Metropolis of North Britain 282
26. Select Bibliography 303
27. Index 311