Acknowledgments

Chapters in this book

1. Frontmatter i
2. Contents v
3. Acknowledgments vii
4. Introduction: Brahms, Analysis, and Time 1
5. Part One. Setting Texts
6. Chapter One. Expressive Declamation in the Songs of Johannes Brahms 13
7. Chapter Two. Temporal Disruptions and Shifting Levels of Discourse in Brahms’s Lieder 49
8. Part Two. Measuring Phrases
9. Chapter Four. On the Oddness of Brahms’s Five-Measure Phrases 110
10. Part Three. Recasting Hemiolas
11. Chapter Five. Hemiola as Agent of Metric Resolution in the Music of Brahms 143
12. Chapter Six. Brahms at Twenty: Hemiolic Varietals and Metric Malleability in an Early Sonata 178
13. Part Four. Shifting Perspectives
14. Chapter Seven. Containment and Wave: Temporal Experiment in Brahms’s Opus 2 207
15. Chapter Eight Rhythmic Displacement in the Fugue of Brahms’s Handel Variations: The Refashioning of a Traditional Device 239
16. Chapter Nine. Durational Enharmonicism and the Opening of Brahms’s “Double Concerto” 260
17. Contributors 295
18. Index 297