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Lora Mjolsness
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgements viii
- 1. Women’s Cinema and the Russian and Soviet Animation Industry 1
- 2. In the Beginning: The First Wave of Soviet Women Animators 29
- 3. Female Creativity in the Wake of Censorship, Consolidation, and Disney 53
- 4. The War Years, Stalinist Repression, and Women Navigating the Animation Industry 76
- 5. Reshaping Women’s Roles on and off the Screen: Animation during Khrushchev and Brezhnev 100
- 6. When One Door Opens Another Shuts: Perestroika and Proto-Feminist Films 128
- 7. The End of an Era: Women’s Animation and the Fall of the Soviet Union 152
- 8. Women Navigating the Past and Looking to the Future 171
- Filmography 194
- Bibliography 198
- Index 213
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgements viii
- 1. Women’s Cinema and the Russian and Soviet Animation Industry 1
- 2. In the Beginning: The First Wave of Soviet Women Animators 29
- 3. Female Creativity in the Wake of Censorship, Consolidation, and Disney 53
- 4. The War Years, Stalinist Repression, and Women Navigating the Animation Industry 76
- 5. Reshaping Women’s Roles on and off the Screen: Animation during Khrushchev and Brezhnev 100
- 6. When One Door Opens Another Shuts: Perestroika and Proto-Feminist Films 128
- 7. The End of an Era: Women’s Animation and the Fall of the Soviet Union 152
- 8. Women Navigating the Past and Looking to the Future 171
- Filmography 194
- Bibliography 198
- Index 213