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Chapter 13. CODA: Gross, Subtle and Secret Moments of Devekut
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Aubrey Glazer
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Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Acknowledgements xiii
- Permissions xvii
- System of Transciption xix
- Chapter 1. Touching God: Vertigo, Exactitude and Degrees of Devekut 21
- Chapter 2. Why Contemporary Jewish Mysticism Needs Poetry: From Kosman’s “Our God” to ben Yitzhak’s IntegrEL Divinity “of All Worlds” 71
- Chapter 3. Dissemination of Devekut: How Culture Can Connect Deeper. Agi Mishol’s “Woman Martyr” and “Transistor Muezzin” 81
- Chapter 4. Contrition as a Returning to Devekut: Binyamin Shevili’s Cycle “Contrition” 94
- Chapter 5. Opening Secrecy: Is There Duplicity in Devekut? Schulamith Hava HaLevy’s “Strange Fire” and “Impregnation” 119
- Chapter 6. Caught in the Infinity Catchers: Devekut as A Web of Discourse. Shai Tubaly “Come Here,” “I Came to God,” and “Infinity Catchers” 145
- Chapter 7. Auto-Erotic Cosmogeny as Devekut: Rebirthing God as Self in Haya Esther’s My Flesh Speaks G!d 154
- Chapter 8. (Hit)Devekut as Durée of the Godlover: Disentangling Intuitive Time in Binyamin Shevili’s “HomosexuELity” 177
- Chapter 9. Parables and Prayers of Love and Rape: Devekut as Depth and Flow of Self in Tamar Elad-Appelbaum’s “Psalms for Jerusalem” 200
- Chapter 10. Scent of Darkness: A Synesthetic Dissolution into Devekut. Yonadav Kaploun’s cycles “Scent of Darkness” and “A Window of Opportunity” 210
- Chapter 11. I Almost Vowed to Touch You: Breaking through Doubt to Daily Devekut. Zelda Schneerson Mishkovsky’s “On that Night” 240
- Chapter 12. Rebirthing Devekut from Darkness to Light: Haviva Pedaya’s “Gently Please,” “The Golden Molten Stream,” “Sun-space,” “Crack the Sun,” and “Majesty Manacled” 250
- Chapter 13. CODA: Gross, Subtle and Secret Moments of Devekut 262
- Afterword 267
- Bibliography 274
- Index 291
- Short Bio 304
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Acknowledgements xiii
- Permissions xvii
- System of Transciption xix
- Chapter 1. Touching God: Vertigo, Exactitude and Degrees of Devekut 21
- Chapter 2. Why Contemporary Jewish Mysticism Needs Poetry: From Kosman’s “Our God” to ben Yitzhak’s IntegrEL Divinity “of All Worlds” 71
- Chapter 3. Dissemination of Devekut: How Culture Can Connect Deeper. Agi Mishol’s “Woman Martyr” and “Transistor Muezzin” 81
- Chapter 4. Contrition as a Returning to Devekut: Binyamin Shevili’s Cycle “Contrition” 94
- Chapter 5. Opening Secrecy: Is There Duplicity in Devekut? Schulamith Hava HaLevy’s “Strange Fire” and “Impregnation” 119
- Chapter 6. Caught in the Infinity Catchers: Devekut as A Web of Discourse. Shai Tubaly “Come Here,” “I Came to God,” and “Infinity Catchers” 145
- Chapter 7. Auto-Erotic Cosmogeny as Devekut: Rebirthing God as Self in Haya Esther’s My Flesh Speaks G!d 154
- Chapter 8. (Hit)Devekut as Durée of the Godlover: Disentangling Intuitive Time in Binyamin Shevili’s “HomosexuELity” 177
- Chapter 9. Parables and Prayers of Love and Rape: Devekut as Depth and Flow of Self in Tamar Elad-Appelbaum’s “Psalms for Jerusalem” 200
- Chapter 10. Scent of Darkness: A Synesthetic Dissolution into Devekut. Yonadav Kaploun’s cycles “Scent of Darkness” and “A Window of Opportunity” 210
- Chapter 11. I Almost Vowed to Touch You: Breaking through Doubt to Daily Devekut. Zelda Schneerson Mishkovsky’s “On that Night” 240
- Chapter 12. Rebirthing Devekut from Darkness to Light: Haviva Pedaya’s “Gently Please,” “The Golden Molten Stream,” “Sun-space,” “Crack the Sun,” and “Majesty Manacled” 250
- Chapter 13. CODA: Gross, Subtle and Secret Moments of Devekut 262
- Afterword 267
- Bibliography 274
- Index 291
- Short Bio 304