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Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Introduction vii
- I. BETWEEN DAYDREAM AND NIGHTMARE: Fin de Siècle Jewish Journeys and the British Imagination 1
- II. THE JEWS OF LEEDS: Immigrant Identity in the Provinces 1880-1920 25
- III. “GOOD JEWS AND CIVILIZED, SELF-RELIANT ENGLISHMEN:” Crafting Anglo-Jewish Education in the 19th Century 49
- IV. WHAT’S IN A NAME? The Changing Titles of Norwood, the Jewish Children’s Orphanage 73
- V. “TRUE ART MAKES FOR THE INTEGRATION OF THE RACE:” Israel Zangwill and the varieties of the Jewish normalization discourse in fin de siècle Britain 101
- VI. “SOME LESSER KNOWN ASPECTS:” The Anti-Fascist Campaign of the Board of Deputies of British Jews, 1936-40 135
- VII. “THE DARK ALIEN EXECUTIVE:” Jewish Producers, Émigrés and the British Film Industry in the 1930s 163
- Notes on Contributors 188
- Index 191
Kapitel in diesem Buch
- Frontmatter i
- Contents v
- Introduction vii
- I. BETWEEN DAYDREAM AND NIGHTMARE: Fin de Siècle Jewish Journeys and the British Imagination 1
- II. THE JEWS OF LEEDS: Immigrant Identity in the Provinces 1880-1920 25
- III. “GOOD JEWS AND CIVILIZED, SELF-RELIANT ENGLISHMEN:” Crafting Anglo-Jewish Education in the 19th Century 49
- IV. WHAT’S IN A NAME? The Changing Titles of Norwood, the Jewish Children’s Orphanage 73
- V. “TRUE ART MAKES FOR THE INTEGRATION OF THE RACE:” Israel Zangwill and the varieties of the Jewish normalization discourse in fin de siècle Britain 101
- VI. “SOME LESSER KNOWN ASPECTS:” The Anti-Fascist Campaign of the Board of Deputies of British Jews, 1936-40 135
- VII. “THE DARK ALIEN EXECUTIVE:” Jewish Producers, Émigrés and the British Film Industry in the 1930s 163
- Notes on Contributors 188
- Index 191
