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7: Belief and Unbelief in the Twenty- First Century: Lukas Bärfuss’s Der Bus (Das Zeug einer Heiligen)
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Sinéad Crowe
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Definitions and Themes 1
- 1: The Relationship between Theater and Religion 15
- 2: Religion in Modern European Theater and Drama 23
- 3: “No One Wants to Get to God Anymore”? Botho Strauß’s Groß und klein and Die eine und die andere 49
- 4: Theological Farce: George Tabori’s Mein Kampf 67
- 5: “The Last Refuge for Metaphysics”: Werner Fritsch’s Theater Theory 91
- 6: “The Feeling of Faith”: Fritsch’s Wondreber Totentanz and Aller Seelen 107
- 7: Belief and Unbelief in the Twenty- First Century: Lukas Bärfuss’s Der Bus (Das Zeug einer Heiligen) 131
- Conclusion 143
- Bibliography 147
- Index 161
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Definitions and Themes 1
- 1: The Relationship between Theater and Religion 15
- 2: Religion in Modern European Theater and Drama 23
- 3: “No One Wants to Get to God Anymore”? Botho Strauß’s Groß und klein and Die eine und die andere 49
- 4: Theological Farce: George Tabori’s Mein Kampf 67
- 5: “The Last Refuge for Metaphysics”: Werner Fritsch’s Theater Theory 91
- 6: “The Feeling of Faith”: Fritsch’s Wondreber Totentanz and Aller Seelen 107
- 7: Belief and Unbelief in the Twenty- First Century: Lukas Bärfuss’s Der Bus (Das Zeug einer Heiligen) 131
- Conclusion 143
- Bibliography 147
- Index 161