Law, Justice, and Society in the Medieval World
-
Edited by:
Esther Liberman Cuenca
, M. Christina Bruno and Anthony Perron -
With contributions by:
Maria Americo
, Daniel Armenti , Lucy C. Barnhouse , Maria Americo , Daniel Armenti , Lucy C. Barnhouse , Christopher Bonura , M. Christina Bruno , Julie K. Chamberlin , Celia Chazelle , Rachel Ellen Clark , Esther Liberman Cuenca , Casey Ireland , Henry Ansgar Kelly , Sarah C. Luginbill , Coral Lumbley , Sara McDougall , Nathan Melson , Nahir I. Otaño Gracia , Anthony Perron , David M. Perry , Asif A. Siddiqi , Eugene Smelyansky , Lorraine Kochanske Stock and Spencer Strub
About this book
This coursebook is the first full-length study of cinematic “legal medievalism,” or the modern interpretation of medieval law in film and popular culture
For more than a century, filmmakers have used the “Middle Ages” to produce popular entertainment and comment on contemporary issues. Each of the twenty chapters in Law, Justice, and Society in the Medieval World represents an original contribution to our understanding of how medieval regulations, laws, and customs have been depicted in film. It offers a window into the “rules” of medieval society through the lens of popular culture.
This book includes analyses of recent and older films, avant-garde as well as popular cinema. Films discussed in this book include Braveheart (1995), Kingdom of Heaven (2005), The Passion of Joan of Arc (1928), The Last Duel (2021), The Green Knight (2021), The Little Hours (2017), and The Adventures of Robin Hood (1938), among others.
Each chapter explores the contemporary context of the film in question, the medieval literary or historical milieu the film references, and the lessons the film can teach us about the medieval world. Attached to each chapter is an appendix of medieval documentary sources and reading questions to prompt critical reflection.
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Esther Liberman Cuenca, M. Christina Bruno and Anthony Perron Requires Authentication Unlicensed Licensed |
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Canon Law and the World of the Medieval Church
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Anthony Perron Requires Authentication Unlicensed Licensed |
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Sarah C. Luginbill Requires Authentication Unlicensed Licensed |
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Nathan Melson Requires Authentication Unlicensed Licensed |
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M. Christina Bruno Requires Authentication Unlicensed Licensed |
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Henry Ansgar Kelly Requires Authentication Unlicensed Licensed |
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“ Feudal” Law and the Customs of Lordship
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Coral Lumbley Requires Authentication Unlicensed Licensed |
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Esther Liberman Cuenca Requires Authentication Unlicensed Licensed |
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Casey Ireland Requires Authentication Unlicensed Licensed |
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Sara McDougall and David M. Perry Requires Authentication Unlicensed Licensed |
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Julie K. Chamberlin Requires Authentication Unlicensed Licensed |
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Women and Representations of Premodern Law
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Lucy C. Barnhouse Requires Authentication Unlicensed Licensed |
141 |
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Asif A. Siddiqi Requires Authentication Unlicensed Licensed |
153 |
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Chapter thirteen Church Law, Community Practice, and the Witch Trial That Wasn’t in Sorceress (1987)
Rachel Ellen Clark and Lucy C. Barnhouse Requires Authentication Unlicensed Licensed |
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Lorraine Kochanske Stock Requires Authentication Unlicensed Licensed |
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Spencer Strub Requires Authentication Unlicensed Licensed |
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Religious Conflict and Forging Communities through Law
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Christopher Bonura Requires Authentication Unlicensed Licensed |
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Maria Americo Requires Authentication Unlicensed Licensed |
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Daniel Armenti and Nahir I. Otaño Gracia Requires Authentication Unlicensed Licensed |
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Celia Chazelle Requires Authentication Unlicensed Licensed |
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Eugene Smelyansky Requires Authentication Unlicensed Licensed |
265 |
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Requires Authentication Unlicensed Licensed |
279 |
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Requires Authentication Unlicensed Licensed |
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