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  • Edmund Mendelssohn
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White Musical Mythologies
This chapter is in the book White Musical Mythologies
© 2023 Stanford University Press, Redwood City

© 2023 Stanford University Press, Redwood City

Chapters in this book

  1. Frontmatter i
  2. CONTENTS vii
  3. Acknowledgments ix
  4. Prelude A Silence Filled with Speech 1
  5. 1 The Ontology of the Ineffable: Satie and Bergson 41
  6. 2 Ontological Machines: Varèse and Bataille 98
  7. 3 Ontological Appropriation: Boulez and Artaud 138
  8. 4 The Written Being of Sound: Cage and Derrida 175
  9. Postlude A Simulacrum of a Presence 225
  10. Notes 231
  11. Index 285
https://doi.org/10.1515/9781503636644-toc

Chapters in this book

  1. Frontmatter i
  2. CONTENTS vii
  3. Acknowledgments ix
  4. Prelude A Silence Filled with Speech 1
  5. 1 The Ontology of the Ineffable: Satie and Bergson 41
  6. 2 Ontological Machines: Varèse and Bataille 98
  7. 3 Ontological Appropriation: Boulez and Artaud 138
  8. 4 The Written Being of Sound: Cage and Derrida 175
  9. Postlude A Simulacrum of a Presence 225
  10. Notes 231
  11. Index 285
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