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8. Romanticism and Enlightenment
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Marshall Brown
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Chapters in this book
- Frontmatter i
- Contents xiii
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I. OVERTURE
- Errours Endlesse Traine 3
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II. CRITICS
- 1. Why Style Matters: The Lessons of Taine's History of English Literature 33
- 2. The Classic Is the Baroque: On the Principle of Wolfflin' s Art History 88
- 3. What's in a Text? 114
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III. TEXTS AND PERIODS
- 4. Deconstruction and Enlightenment 131
- 5. Mozart and After: The Revolution in Musical Consciousness 138
- 6. Kant's Misreading of Descartes 156
- 7. Toward an Archaeology of English Romanticism: Coleridge and Sarbiewski 173
- 8. Romanticism and Enlightenment 195
- 9. Origins of Modernism: Musical Structures and Narrative Forms 220
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IV. FINALE
- Unheard Melodies: The Force of Form 239
- Notes 271
- Works Cited 311
- Index 335
Chapters in this book
- Frontmatter i
- Contents xiii
-
I. OVERTURE
- Errours Endlesse Traine 3
-
II. CRITICS
- 1. Why Style Matters: The Lessons of Taine's History of English Literature 33
- 2. The Classic Is the Baroque: On the Principle of Wolfflin' s Art History 88
- 3. What's in a Text? 114
-
III. TEXTS AND PERIODS
- 4. Deconstruction and Enlightenment 131
- 5. Mozart and After: The Revolution in Musical Consciousness 138
- 6. Kant's Misreading of Descartes 156
- 7. Toward an Archaeology of English Romanticism: Coleridge and Sarbiewski 173
- 8. Romanticism and Enlightenment 195
- 9. Origins of Modernism: Musical Structures and Narrative Forms 220
-
IV. FINALE
- Unheard Melodies: The Force of Form 239
- Notes 271
- Works Cited 311
- Index 335