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3. The Pink Peril: Rosa von Praunheim
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Alice A. Kuzniar
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Chapters in this book
- Frontmatter i
- Acknowledgments v
- Contents vii
- Figures ix
- Introduction 1
- 1. Gender Inverts and Cross-Dressers: Reading for a Queer Weimar Cinema 21
- 2. "Now I Have a Different Desire": Transgender Specularity in Zarah Leander and R. W Fassbinder 57
- 3. The Pink Peril: Rosa von Praunheim 88
- 4. "The Passionate Evidence" of Werner Schroeter's Maria Malibran and Der Rosenkiinig 113
- 5. Allegory, Androgyny, Anamorphosis: Ulrike Ottinger's Dorian Gray 139
- 6. Lesbians Abroad: The Queer Nationhood of Monika Treut et al 157
- 7. A Gay Melancholia: Michael Stock's Prinz in Hiilleland 174
- 8. Experimental Visions: Brynntrup, Müller, Schillinger, Scheid, and Pürrer 186
- 9. Dyke Nair Animation 236
- Epilogue. An Erotics of Transgression: Queer Cinema and Counterpolitics 256
- Appendix: Source Guide 267
- Notes 271
- Works Cited 291
- Index 303
Chapters in this book
- Frontmatter i
- Acknowledgments v
- Contents vii
- Figures ix
- Introduction 1
- 1. Gender Inverts and Cross-Dressers: Reading for a Queer Weimar Cinema 21
- 2. "Now I Have a Different Desire": Transgender Specularity in Zarah Leander and R. W Fassbinder 57
- 3. The Pink Peril: Rosa von Praunheim 88
- 4. "The Passionate Evidence" of Werner Schroeter's Maria Malibran and Der Rosenkiinig 113
- 5. Allegory, Androgyny, Anamorphosis: Ulrike Ottinger's Dorian Gray 139
- 6. Lesbians Abroad: The Queer Nationhood of Monika Treut et al 157
- 7. A Gay Melancholia: Michael Stock's Prinz in Hiilleland 174
- 8. Experimental Visions: Brynntrup, Müller, Schillinger, Scheid, and Pürrer 186
- 9. Dyke Nair Animation 236
- Epilogue. An Erotics of Transgression: Queer Cinema and Counterpolitics 256
- Appendix: Source Guide 267
- Notes 271
- Works Cited 291
- Index 303