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Acknowledgments
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Wah Guan Lim
Wah Guan LimSearch for this author in:
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- List of Abbreviations xvii
- Note on Transliteration xix
- Introduction 1
- 1. Articulating an Alternative Cultural Identity: Kuo Pao Kun’s Multilingual Theater Practice in Singapore 34
- 2. An Incomplete Break with the Past: The Remaking of Identity in Stan Lai’s Taiwanese Theater 74
- 3. Theater of Rebellion: Danny Yung and Experimental Hong Kong Theater 117
- 4. Diaspora within China: Gao Xingjian and the Theater of Exile 159
- Conclusion 192
- References 209
- Index 239
Readers are also interested in:
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- List of Abbreviations xvii
- Note on Transliteration xix
- Introduction 1
- 1. Articulating an Alternative Cultural Identity: Kuo Pao Kun’s Multilingual Theater Practice in Singapore 34
- 2. An Incomplete Break with the Past: The Remaking of Identity in Stan Lai’s Taiwanese Theater 74
- 3. Theater of Rebellion: Danny Yung and Experimental Hong Kong Theater 117
- 4. Diaspora within China: Gao Xingjian and the Theater of Exile 159
- Conclusion 192
- References 209
- Index 239
