Home Arts Black Atlantis
Chapter
Licensed
Unlicensed Requires Authentication

Black Atlantis

  • Naomi Beckwith
View more publications by Duke University Press
I Stand in My Place With My Own Day Here
This chapter is in the book I Stand in My Place With My Own Day Here
© 2020 Duke University Press, Durham, USA

© 2020 Duke University Press, Durham, USA

Chapters in this book

  1. Frontmatter i
  2. Contents 4
  3. Foreword: Co-Designing a Kaleidoscope 7
  4. Introduction 11
  5. Various, Humane, Political 16
  6. Schooled in the New: The Arts as Social Research 20
  7. Living and Learning from the University Center to 66 West 12th Street; or, Arendt in Mar-a-Lago 26
  8. Alvin Johnson/ J.M. Kaplan Hall 33
  9. Thomas Hart Benton America Today, 1930–31
  10. From The New School to The Metropolitan Museum of Art: The Odyssey of Thomas Hart Benton’s America Today 43
  11. The Ghost of Progress Past 47
  12. Paid in Eggs 50
  13. José Clemente Orozco Call to Revolution and Table of Universal Brotherhood (The New School Mural Cycle), 1930–31
  14. Orozco’s New School Murals: Activating Revolutionary Thought 65
  15. The Chains in Orozco’s Murals 69
  16. Center of Gravity: Orozco 72
  17. Camilo Egas Ecuadorian Festival, 1932
  18. A Celebration of Dance 81
  19. Celebration as Resistance 84
  20. New School Desires: “Poised Precisely Between Fantasy and Reality” 87
  21. Gonzalo Fonseca Untitled, 1961
  22. Gonzalo Fonseca and Universalist Modernism 95
  23. Solve et Coagula 99
  24. When a Mural Is a Blueprint 102
  25. Martin Puryear + Michael Van Valkenburgh Vera List Courtyard, 1997
  26. Vera List Courtyard: A Brief History 111
  27. Inside Out: Outside In 113
  28. Seats of Tension: Collaboration, Access, Security, Expression 116
  29. Vera List Courtyard and the Culture Wars 119
  30. Dave Muller Interpolations and Extrapolations, 2002–03 Extensions (Interpolations and Extrapolations), 2008
  31. Interpolating and Extrapolating 127
  32. Brand New 129
  33. Identity Interpolated and Extrapolated 133
  34. Arnhold Hall 137
  35. Sol LeWitt Wall Drawing #1073, Bars of Color (New School), 2003
  36. #1073 143
  37. LeWitt’s Problem(s) 144
  38. One Sentence for Sol LeWitt 150
  39. Kara Walker Event Horizon, 2005
  40. History’s Worth of Fictions 158
  41. On Kara Walker’s Event Horizon 162
  42. Black Atlantis 167
  43. Brian Tolle Threshold, 2006
  44. The Gentle Wind Doth Move Visibly 173
  45. Unsettled 176
  46. Of Two Minds 178
  47. Quiet Possibilities of the Subjunctive 181
  48. University Center 185
  49. Rita McBride Bells and Whistles, 2009–14
  50. Mnemonics and Pneumatics 191
  51. Ringing Bells, Blowing Whistles 194
  52. Breaking Out of School 198
  53. Alfredo Jaar Searching for Africa in LIFE, 1996/2014
  54. Searching Blindly 207
  55. An Absence That Conjures a Presence 209
  56. Alfredo Jaar: Dialectic of Sight 213
  57. The Blink of Failure: Imagining Life in Africa 216
  58. Glenn Ligon For Comrades and Lovers, 2015
  59. Democratic Vistas of Space 225
  60. Among the Throng: Glenn Ligon Situates Whitman 227
  61. Incantations 229
  62. For Comrades and Lovers: a dialogue 233
  63. Agnes Denes Pascal’s Perfect Probability Pyramid & the People Paradox—The Predicament (PPPPPPP),
  64. In Formation 241
  65. The one who is the one who who is the one who is not many. Thoughts called forth by Agnes Denes’s Pascal’s Perfect Probability Pyramid & the People Paradox— The Predicament (ppppppp) 243
  66. Agnes Denes: Promethea of Paradox 246
  67. “Organized by Fascination”: A Roundtable Conversation on Art, Institutions, and Pedagogy 250
  68. Histories of the Commissions 267
  69. Contributors 295
  70. Index 300
Downloaded on 11.10.2025 from https://www.degruyterbrill.com/document/doi/10.1515/9781478009115-032/html?lang=en&srsltid=AfmBOopWAukyhBL5SrD6ysIgHgGZ6GHDrXqDVk1zvN7zHC0VLBzyGyDw
Scroll to top button