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Chapter 1 Locating Sinophone Cinema

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Hong Kong Cinema and Sinophone Transnationalisms
This chapter is in the book Hong Kong Cinema and Sinophone Transnationalisms
PART INEW BEGINNINGS7015_TAN.indd17015_TAN.indd 105/08/214:26pm05/08/21 4:26 pm
© 2022, Edinburgh University Press, Edinburgh

PART INEW BEGINNINGS7015_TAN.indd17015_TAN.indd 105/08/214:26pm05/08/21 4:26 pm
© 2022, Edinburgh University Press, Edinburgh

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Illustrations vii
  4. Acknowledgements xi
  5. A Note on Language xiii
  6. Preface xvi
  7. PART I NEW BEGINNINGS
  8. Chapter 1 Locating Sinophone Cinema 1
  9. Chapter 2 The Sinifi cation of Early Shanghai and Hong Kong Cinema 22
  10. PART II NEW DIRECTIONS
  11. Chapter 3 Huangmei diao pian 59
  12. Chapter 4 Caizi/Jiaren Romance in Disguise 85
  13. Chapter 5 Fanchuan Acting: Cross-dressing and Performative Transsexualities 105
  14. PART III NEW IMAGINARIES
  15. Chapter 6 Tongzhi Articulations in Fengyue Films 127
  16. Chapter 7 Transness: Hong Kong’s Bond Movies (Bangpian) 154
  17. PART IV NEW WAVES
  18. Chapter 8 Tsui Hark: Accented Cinema 173
  19. Chapter 9 Tsui Hark: Time-bomb Cinema 189
  20. Chapter 10 Tsui Hark: New Localisms 207
  21. Afterword 231
  22. Appendix 1: A Selection of Chineselanguage Opera Film Avatars 238
  23. Appendix 2: Glossary of Chineselanguage Film Titles 244
  24. Appendix 3: Glossary of Chineselanguage Persons, Film Companies/ Studios, Opera Troupes and Media 257
  25. Appendix 4: Glossary of Chineselanguage Terms and Phrases 277
  26. Filmography and TV Resources 285
  27. References and Further Reading 296
  28. Index 334
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https://doi.org/10.1515/9781474476386-005

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Illustrations vii
  4. Acknowledgements xi
  5. A Note on Language xiii
  6. Preface xvi
  7. PART I NEW BEGINNINGS
  8. Chapter 1 Locating Sinophone Cinema 1
  9. Chapter 2 The Sinifi cation of Early Shanghai and Hong Kong Cinema 22
  10. PART II NEW DIRECTIONS
  11. Chapter 3 Huangmei diao pian 59
  12. Chapter 4 Caizi/Jiaren Romance in Disguise 85
  13. Chapter 5 Fanchuan Acting: Cross-dressing and Performative Transsexualities 105
  14. PART III NEW IMAGINARIES
  15. Chapter 6 Tongzhi Articulations in Fengyue Films 127
  16. Chapter 7 Transness: Hong Kong’s Bond Movies (Bangpian) 154
  17. PART IV NEW WAVES
  18. Chapter 8 Tsui Hark: Accented Cinema 173
  19. Chapter 9 Tsui Hark: Time-bomb Cinema 189
  20. Chapter 10 Tsui Hark: New Localisms 207
  21. Afterword 231
  22. Appendix 1: A Selection of Chineselanguage Opera Film Avatars 238
  23. Appendix 2: Glossary of Chineselanguage Film Titles 244
  24. Appendix 3: Glossary of Chineselanguage Persons, Film Companies/ Studios, Opera Troupes and Media 257
  25. Appendix 4: Glossary of Chineselanguage Terms and Phrases 277
  26. Filmography and TV Resources 285
  27. References and Further Reading 296
  28. Index 334
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