Indigenous North American Drama
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Edited by:
Birgit Däwes
About this book
Traces the historical dimensions of Native North American drama using a critical perspective.
Traces the historical dimensions of Native North American drama using a critical perspective.
Responding to an increasing need for critical perspectives and methodologies, this collection traces the historical dimensions of Native North American drama through overviews of major developments, individual playwrights' perspectives, and in-depth critical analyses. Bringing together writers and scholars from the United States, Canada, and Europe, Indigenous North American Drama provides the first comprehensive outline of this vibrant genre. It also acknowledges the wide diversity of styles and perspectives that have helped shape contemporary Native North American theater itself. This interdisciplinary introduction offers a basis for new readings of Native American and First Nations literature at large.
Author / Editor information
Birgit Däwes is Professor of American Studies at the Johannes Gutenberg-University of Mainz, Germany. She is the author of Native North American Theater in a Global Age: Sites of Identity Construction and Transdifference and Ground Zero Fiction: History, Memory, and Representation in the American 9/11 Novel.
Birgit Däwes is Professor of American Studies at the Johannes Gutenberg-University of Mainz, Germany. She is the author of Native North American Theater in a Global Age: Sites of Identity Construction and Transdifference and Ground Zero Fiction: History, Memory, and Representation in the American 9/11 Novel.
Reviews
"This collection of essays is an excellent resource for all scholars in the field … Highly recommended." — CHOICE
Topics
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vii |
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History and Indigenous North American Drama Birgit Däwes Requires Authentication Unlicensed Licensed |
1 |
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Indigenous North American Performance Surveys and Methodologies
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Henning Schäfer Requires Authentication Unlicensed Licensed |
19 |
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A Historical Survey Ann Haugo Requires Authentication Unlicensed Licensed |
39 |
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Indigenous Dramaturgy on the Continent of Life Tamara Underiner Requires Authentication Unlicensed Licensed |
63 |
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Individual Hi/stories
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Visions of Native American Theatre Rolland Meinholtz Requires Authentication Unlicensed Licensed |
77 |
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The Restoration of What Is Left Diane Glancy Requires Authentication Unlicensed Licensed |
99 |
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Daniel David Moses Requires Authentication Unlicensed Licensed |
107 |
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Younger Brother of Tradition Floyd Favel Requires Authentication Unlicensed Licensed |
115 |
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Monique Mojica Requires Authentication Unlicensed Licensed |
123 |
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An Interview with Tomson Highway Birgit Däwes Requires Authentication Unlicensed Licensed |
141 |
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Representations of History
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Enacting History in Recent Native Canadian Drama Marc Maufort Requires Authentication Unlicensed Licensed |
150 |
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Memory and Remembrance in Monique Mojica’s Birdwoman and the Suffragettes Günter Beck Requires Authentication Unlicensed Licensed |
177 |
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Canadian Aboriginal Dramatic Texts in the Context of Central European Theatre Klára Kolinská Requires Authentication Unlicensed Licensed |
191 |
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205 |
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219 |
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225 |