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Set Structure as a Compositional Determinant 1961
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Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgments vii
- Preface ix
- The String Quartets of Bartók 1949 1
- Review of Schoenberg et son école and Qu’est ce que la musique de douze sons? by René Leibowitz. 1950 10
- Review of Polyphonie—Revue musicale trimestrielle; Quatrième cahier: Le Système dodécaphonique 1950 16
- Review of Felix Salzer, Structural Hearing: Tonal Coherence in Music 1952 22
- Tintinnabulation of the Crochets 1953 31
- Musical America’s Several Generations 1954 34
- Some Aspects of Twelve-Tone Composition 1955 38
- The Composer as Specialist 1958 48
- Twelve-Tone Invariants as Compositional Determinants 1960 55
- The Revolution in Sound: Electronic Music 1960 70
- Past and Present Concepts of the Nature and Limits of Music 1961 78
- Set Structure as a Compositional Determinant 1961 86
- Twelve-Tone Rhythmic Structure and the Electronic Medium 1962 109
- Reply to George Perle 1963 141
- Remarks on the Recent Stravinsky 1964 147
- The Synthesis, Perception, and Specification of Musical Time 1964 172
- An Introduction to the R.C.A. Synthesizer 1964 178
- The Structure and Function of Musical Theory 1965 191
- The Use of Computers in Musicological Research 1965 202
- Edgard Varèse: A Few Observations of His Music 1966 213
- Three Essays on Schoenberg 1968 222
- On Relata I 1970 237
- Contribution to “The Composer in Academia: Reflections on a Theme of Stravinsky” 1970 259
- In Memoriam: Mátyás Seiber 1970 263
- Contribution to “Stravinsky (1882–1971): A Composer’s Memorial” 1971 264
- Contemporary Music Composition and Music Theory as Contemporary Intellectual History [1972] 270
- In Memoriam: Stefan Wolpe 1972 308
- Since Schoenberg 1974 310
- Celebrative Speech 1976 335
- Responses: A First Approximation 1976 341
- Introduction to Marion Bauer’s Twentieth Century Music 1978 367
- Foreword to Beyond Orpheus 1979 371
- Ben Weber (1916–1979) 1979 377
- Robert Miller (1930–1981) 1981 380
- The More than the Sounds of Music 1984 383
- I Remember Roger (Contribution to “In Memoriam: Roger Sessions”) 1985 388
- “All the Things They Are”: Comments on Kern 1985 395
- Hans Keller: A Memoir 1986 399
- Stravinsky’s Verticals and Schoenberg’s Diagonals: A Twist of Fate 1987 404
- On Having Been and Still Being an American Composer 1989 428
- A Life of Learning 1991 437
- Brave New Worlds 1994 459
- “My Vienna Triangle at Washington Square,” Revisited and Dilated 1999 466
- INDEX 489
Chapters in this book
- Frontmatter i
- CONTENTS v
- Acknowledgments vii
- Preface ix
- The String Quartets of Bartók 1949 1
- Review of Schoenberg et son école and Qu’est ce que la musique de douze sons? by René Leibowitz. 1950 10
- Review of Polyphonie—Revue musicale trimestrielle; Quatrième cahier: Le Système dodécaphonique 1950 16
- Review of Felix Salzer, Structural Hearing: Tonal Coherence in Music 1952 22
- Tintinnabulation of the Crochets 1953 31
- Musical America’s Several Generations 1954 34
- Some Aspects of Twelve-Tone Composition 1955 38
- The Composer as Specialist 1958 48
- Twelve-Tone Invariants as Compositional Determinants 1960 55
- The Revolution in Sound: Electronic Music 1960 70
- Past and Present Concepts of the Nature and Limits of Music 1961 78
- Set Structure as a Compositional Determinant 1961 86
- Twelve-Tone Rhythmic Structure and the Electronic Medium 1962 109
- Reply to George Perle 1963 141
- Remarks on the Recent Stravinsky 1964 147
- The Synthesis, Perception, and Specification of Musical Time 1964 172
- An Introduction to the R.C.A. Synthesizer 1964 178
- The Structure and Function of Musical Theory 1965 191
- The Use of Computers in Musicological Research 1965 202
- Edgard Varèse: A Few Observations of His Music 1966 213
- Three Essays on Schoenberg 1968 222
- On Relata I 1970 237
- Contribution to “The Composer in Academia: Reflections on a Theme of Stravinsky” 1970 259
- In Memoriam: Mátyás Seiber 1970 263
- Contribution to “Stravinsky (1882–1971): A Composer’s Memorial” 1971 264
- Contemporary Music Composition and Music Theory as Contemporary Intellectual History [1972] 270
- In Memoriam: Stefan Wolpe 1972 308
- Since Schoenberg 1974 310
- Celebrative Speech 1976 335
- Responses: A First Approximation 1976 341
- Introduction to Marion Bauer’s Twentieth Century Music 1978 367
- Foreword to Beyond Orpheus 1979 371
- Ben Weber (1916–1979) 1979 377
- Robert Miller (1930–1981) 1981 380
- The More than the Sounds of Music 1984 383
- I Remember Roger (Contribution to “In Memoriam: Roger Sessions”) 1985 388
- “All the Things They Are”: Comments on Kern 1985 395
- Hans Keller: A Memoir 1986 399
- Stravinsky’s Verticals and Schoenberg’s Diagonals: A Twist of Fate 1987 404
- On Having Been and Still Being an American Composer 1989 428
- A Life of Learning 1991 437
- Brave New Worlds 1994 459
- “My Vienna Triangle at Washington Square,” Revisited and Dilated 1999 466
- INDEX 489