Society and Sentiment
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Mark Salber Phillips
and Mark Salber Phillips
About this book
A deepening interest in both social and interior experience was a distinguishing feature of the cultural life of eighteenth-century Britain, influencing writers in all genres from fiction to philosophy. Focusing on this interplay of ideas and genres, Mark Phillips explores the ways in which writers and readers of history, memoir, biography and related literatures responded to the social and sentimental concerns of a modern, commercial society. He shows that the writing of history, which once concentrated exclusively on political events, widened its horizons in ways that often paralleled better-known developments in the contemporary novel. Ultimately, Phillips proposes a new model for the study of historiographical narrative. Countering tropological readings identified with Hayden White, he offers a more historically nuanced approach that stresses questions of genre and reception as a guide to understanding how narratives were reshaped by new audiences and new social needs.
Drawing inspiration from both the social analysis of the Scottish Enlightenment and the sentimental aesthetics of the contemporary novel, historical writing began to explore the areas of social experience and private life for which there was no place in classical historiography. The consequence, Phillips argues, was a significant reframing of historical thought that expressed itself through new themes, including the histories of commerce, manners, literature, and women, and through some lively experiments in narrative form. This book offers a rich picture of historiography that will interest students of history and fiction alike.
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Frontmatter
i -
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Contents
vii -
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Preface
ix -
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List of Abbreviations
xix -
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Introduction: “The More Permanent and Peaceful Scenes of Social Life”
3 - THE ENGLISH PARNASSUS
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1. David Hume and the Vocabularies of British Historiography
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2. Hume and the Politics and Poetics of Historical Distance
60 - NARRATIVES AND READERS
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3. Tensions and Accommodations: Varieties of Structure in Eighteenth-Century Narrative
81 -
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4. History, the Novel, and the Sentimental Reader
103 - LIVES, MANNERS, AND “THE HISTORY OF MAN”
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5. Biography and the History of Private Life
131 -
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6. Manners and the Many Histories of Everyday Life: Custom, Commerce, Women, and Literature
147 -
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7. Conjectural History: A History of Manners and of Mind
171 - CONTINUITIES
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8. James Mackintosh: The Historian as Reader
193 -
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9. Burke, Mackintosh, and the Idea of Tradition
220 - LITERARY HISTORY, MEMOIR, AND THE IDEA OF COMMEMORATION IN EARLY NINETEENTH- CENTURY BRITAIN
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10. “The Comedy of Middle Life”: Francis Jeffrey and Literary History
259 -
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12. William Godwin and the Idea of Commemoration
322 -
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Conclusion. Historical Distance and the Reception of Eighteenth-Century Historical Writing
342 -
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Bibliography
351 -
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Index
367