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Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. List of Figures viii
  4. 1 Introduction: Emergent Directions in Curatorial Thinking and Practice 1
  5. Part I: Curatorial Complexities
  6. 2 Unravelling: After Practice- Based Curating 23
  7. 3 Conspiratorial Realities: Towards a Media History of Art 35
  8. 4 Liquid Bodies Liquid Worlds: Notes 49
  9. 5 Curatorial Constellations, Parataxis, Neoliberalism 58
  10. 6 Curating-at-Large: Notes Towards a Sufficiently General Category 87
  11. Part II: Re-centring the Curatorial
  12. 7 Stolen Moments: Namibian Music History Untold 107
  13. 8 Curating Incommensurable Nuclear Futures 126
  14. 9 Listening to Offshore Detention: The Politics of Curation in how are you today by the Manus Recording Project Collective 151
  15. 10 Curative Curation: Black Women Curators as Restorative Agents 177
  16. 11 Johanna Unzueta’s Tools for Life: Engaging a Politics of Labour Within the Art Institution 187
  17. 12 GABAN (strange): Holding Space for murum-gidyal (Healing) in Museums and Galleries 202
  18. 13 After-Events: Biennials Beyond the Exhibition 218
  19. 14 Working Together(ness): The Curatorial as a ‘Function’ 230
  20. Part III: Datafication
  21. 15 Desperately Seeking Audience: Analytics in the Twenty-First-Century Museum 241
  22. 16 Curating on the Web as a Way to Create Interferences in Today’s Network 251
  23. 17 Curating/Fermenting Data: Speculative Practices for Curatorial Futures 259
  24. 18 Sleep Series: ‘art by sleepers, for sleepers and art as sleep’ 276
  25. 19 The Labour of Symbiosis 284
  26. 20 Curating Tech Platforms 305
  27. 21 Useful Curating in the Postdigital Era 311
  28. Part IV: Radical Infrastructures
  29. 22 Acoustic Sympathies: Temporal, Vibrational and Improvisational Worlds 325
  30. 23 Companion to an Eviscerated City: A Tragireality in Two Voices and Four Acts 336
  31. 24 Preserving Citizenry: Derry Film and Video Workshop and the Quest(ion) for Institutions 356
  32. 25 Something Smiles Through All the Drowsiness of the World: A Field Report 377
  33. 26 From the ‘Lure for Feeling’ to Grassroots Planning: Grammars of Intention and Conjuncture in the Future Possible 386
  34. 27 Object Flow: From Storage to Commons 404
  35. 28 Where Is the Body of the Curator? 432
  36. Part V: Fictioning the Curatorial
  37. 29 Curatorial Practice as Disaster Fiction 445
  38. 30 World Building: Feminist Futures on Mothership Earth 450
  39. 31 Prototyping Value 457
  40. 32 Parables of Curatorial Futures 465
  41. Notes on Contributors 483
  42. Index 501
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