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“You Are from Israel and That Is Enough to Hate You Forever”
Racism, Globalization, and Play within the Global Extreme Metal Scene
-
Keith Kahn-Harris
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Chapters in this book
- Frontmatter i
- CONTENTS vii
-
PART 1 INTRODUCTION: THE GLOBAL CONQUEST OF AN OUTCAST GENRE
- Affective Overdrive, Scene Dynamics, and Identity in the Global Metal Scene 3
- The Globalization of Metal 34
-
PART 2 METAL, GENDER, MODERNITY
- “A Dream Return to Tang Dynasty” 63
- Unleashed in the East 86
-
PART 3 METAL AND THE NATION
- Electronic and Affective Overdrive 109
- Otherwise National 135
-
PART 4 METAL AND EXTREMIST IDEOLOGIES
- The Marketing of Anglo-Identity in the North American Hatecore Metal Industry 161
- Musical Style, Ideology, and Mythology in Norwegian Black Metal 180
- “You Are from Israel and That Is Enough to Hate You Forever” 200
-
PART 5 METAL AND THE MUSIC INDUSTRY
- Arenas of the Imagination 227
- Thunder in the Far East 247
-
PART 6 SMALL NATION/SMALL SCENE CASE STUDIES
- Metal in a Micro Island State 271
- Noisy Crossroads 294
- Nako 313
- AFTERWORD 333
- ACKNOWLEDGMENTS 337
- WORKS CITED 339
- CONTRIBUTORS 367
- INDEX 371
Chapters in this book
- Frontmatter i
- CONTENTS vii
-
PART 1 INTRODUCTION: THE GLOBAL CONQUEST OF AN OUTCAST GENRE
- Affective Overdrive, Scene Dynamics, and Identity in the Global Metal Scene 3
- The Globalization of Metal 34
-
PART 2 METAL, GENDER, MODERNITY
- “A Dream Return to Tang Dynasty” 63
- Unleashed in the East 86
-
PART 3 METAL AND THE NATION
- Electronic and Affective Overdrive 109
- Otherwise National 135
-
PART 4 METAL AND EXTREMIST IDEOLOGIES
- The Marketing of Anglo-Identity in the North American Hatecore Metal Industry 161
- Musical Style, Ideology, and Mythology in Norwegian Black Metal 180
- “You Are from Israel and That Is Enough to Hate You Forever” 200
-
PART 5 METAL AND THE MUSIC INDUSTRY
- Arenas of the Imagination 227
- Thunder in the Far East 247
-
PART 6 SMALL NATION/SMALL SCENE CASE STUDIES
- Metal in a Micro Island State 271
- Noisy Crossroads 294
- Nako 313
- AFTERWORD 333
- ACKNOWLEDGMENTS 337
- WORKS CITED 339
- CONTRIBUTORS 367
- INDEX 371