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On Violence
This chapter is in the book On Violence
keywords181KeywordsRAYMOND WILLIAMSViolence is often now a di≈cult word, because its primary sense is of physicalassault, as in ‘‘robbery with violence,’’ yet it is also used more widely in ways thatare not easy to define. If we take physical assault as sense (i) we can take a cleargeneral sense (ii) as the use of physical force, including the distant use ofweapons or bombs, but we have then to add that this seems to be specialized to‘‘unauthorized’’ uses: the violence of a ‘‘terrorist’’ but not, except by its oppo-nents, of an army, where ‘‘force’’ is preferred and most operations of war andpreparation for war are described as ‘‘defence’’; or the similar partisan rangebetween ‘‘putting under restraint’’ or ‘‘restoring order,’’ and ‘‘police violence.’’We can note also a relatively simple sense (iii), which is not always clearlydistinguished from (i) and (ii), as in ‘‘violence on television,’’ which can includethe reporting of violent physical events but indicates mainly the dramatic por-trayal of such events.The di≈culty begins when we try to distinguish sense (iv), violence as threat,and sense (v), violence as unruly behavior. Sense (iv) is clear when the threat is ofphysical violence, but it is often used when the real threat, or the real practice, isunruly behaviour. The phenomenon known as ‘‘student violence’’ includedcases in senses (i) and (ii), but it clearly also included cases of sense (iv) andsense (v). The emotional power of the word can then be very confusing.It is a longstanding complexity. There has been obvious interaction betweenviolence and violation, the breaking of some custom or some dignity. . . . This ispart of the complexity. But violence has also been used in English, as in the Latinfor intensity or vehemence; ‘‘marke me with what violence she first lov’d theMoore’’ (Othello, II, i); ‘‘violence of party spirit’’ (Coleridge, 1818). There was aninteresting note in 1696: ‘‘violence . . . figuratively spoken of Human Passionsand Designs, when unruly, and not to be govern’d.’’ It is the interaction of thissense with the sense of physical force that underlies the real di≈culties of senses(iv) and (v); a sense (vi), as in ‘‘violently in love,’’ is never in practice misun-derstood. But if it is said that the State uses force, not only in senses (i) and (ii)but more critically in sense (iv)—the threat implied as the consequence of anybreach of ‘‘law and order’’ as at any time or in any one place defined—it isobjected that violence is the wrong word for this, not only because of the sense of‘‘authorized’’ force but because it is not ‘‘unruly.’’ At the same time, questions ofwhat it is to be ‘‘unruly’’ or ‘‘not to be govern’d’’ can be side-stepped. It is within
© 2020 Duke University Press, Durham, USA

keywords181KeywordsRAYMOND WILLIAMSViolence is often now a di≈cult word, because its primary sense is of physicalassault, as in ‘‘robbery with violence,’’ yet it is also used more widely in ways thatare not easy to define. If we take physical assault as sense (i) we can take a cleargeneral sense (ii) as the use of physical force, including the distant use ofweapons or bombs, but we have then to add that this seems to be specialized to‘‘unauthorized’’ uses: the violence of a ‘‘terrorist’’ but not, except by its oppo-nents, of an army, where ‘‘force’’ is preferred and most operations of war andpreparation for war are described as ‘‘defence’’; or the similar partisan rangebetween ‘‘putting under restraint’’ or ‘‘restoring order,’’ and ‘‘police violence.’’We can note also a relatively simple sense (iii), which is not always clearlydistinguished from (i) and (ii), as in ‘‘violence on television,’’ which can includethe reporting of violent physical events but indicates mainly the dramatic por-trayal of such events.The di≈culty begins when we try to distinguish sense (iv), violence as threat,and sense (v), violence as unruly behavior. Sense (iv) is clear when the threat is ofphysical violence, but it is often used when the real threat, or the real practice, isunruly behaviour. The phenomenon known as ‘‘student violence’’ includedcases in senses (i) and (ii), but it clearly also included cases of sense (iv) andsense (v). The emotional power of the word can then be very confusing.It is a longstanding complexity. There has been obvious interaction betweenviolence and violation, the breaking of some custom or some dignity. . . . This ispart of the complexity. But violence has also been used in English, as in the Latinfor intensity or vehemence; ‘‘marke me with what violence she first lov’d theMoore’’ (Othello, II, i); ‘‘violence of party spirit’’ (Coleridge, 1818). There was aninteresting note in 1696: ‘‘violence . . . figuratively spoken of Human Passionsand Designs, when unruly, and not to be govern’d.’’ It is the interaction of thissense with the sense of physical force that underlies the real di≈culties of senses(iv) and (v); a sense (vi), as in ‘‘violently in love,’’ is never in practice misun-derstood. But if it is said that the State uses force, not only in senses (i) and (ii)but more critically in sense (iv)—the threat implied as the consequence of anybreach of ‘‘law and order’’ as at any time or in any one place defined—it isobjected that violence is the wrong word for this, not only because of the sense of‘‘authorized’’ force but because it is not ‘‘unruly.’’ At the same time, questions ofwhat it is to be ‘‘unruly’’ or ‘‘not to be govern’d’’ can be side-stepped. It is within
© 2020 Duke University Press, Durham, USA

Chapters in this book

  1. Frontmatter i
  2. CONTENTS vii
  3. Acknowledgments ix
  4. General Introduction: Theorizing Violence in the Twenty-first Century 1
  5. PART I. THE DIALECTICS OF VIOLENCE
  6. Introduction 18
  7. GEORG WILHELM FRIEDRICH HEGEL (1770–1831) 27
  8. Phenomenology of Spirit 28
  9. FRIEDRICH ENGELS (1820–1895) 39
  10. Anti-Dühring 40
  11. KARL HEINRICH MARX (1818–1883) 62
  12. Capital: A Critique of Political Economy 63
  13. FRANTZ FANON (1925–1961) 78
  14. Concerning Violence 79
  15. PART II. THE OTHER OF VIOLENCE
  16. Introduction 102
  17. ACTORS
  18. MOHANDAS K. GANDHI (1869–1948) 110
  19. Hind Swaraj, or Indian Home Rule 111
  20. ADOLF HITLER (1889–1945) 127
  21. The Right of Emergency Defense 128
  22. MALCOLM X (1925–1965) 143
  23. The Ballot or the Bullet 144
  24. CRITICS
  25. ANTONIO GRAMSCI (1891–1937) 158
  26. Selections from the Prison Notebooks 159
  27. RAYMOND WILLIAMS (1921–1988) 180
  28. Keywords 181
  29. PIERRE BOURDIEU (1930–2002) 188
  30. Outline of a Theory of Practice 189
  31. JAMES C. SCOTT (1936–) 199
  32. Domination and the Arts of Resistance 200
  33. PART III. THE INSTITUTION OF VIOLENCE: THREE CONNECTIONS
  34. Introduction 216
  35. FAMILIAL
  36. SIGMUND FREUD (1856–1939) 226
  37. Group Psychology and the Analysis of the Ego 227
  38. LINDA GORDON (1940–) 245
  39. Social Control and the Powers of the Weak 245
  40. DEL MARTIN (1921–) 255
  41. Battered Wives 255
  42. LEGAL
  43. BRUCE B. LAWRENCE (1941–) 262
  44. The Shah Bano Case 262
  45. WALTER BENJAMIN (1892–1940) 268
  46. Critique of Violence 268
  47. CATHARINE MACKINNON (1946–) 286
  48. Feminism, Marxism, Method, and the State: An Agenda for Theory 287
  49. ROBERT M. COVER (1943–1988) 292
  50. Violence and the Word 293
  51. CHANDRA MUZAFFAR (1947–) 314
  52. Human Rights and the New World Order 315
  53. RELIGIOUS
  54. RENÉ GIRARD (1923–) 334
  55. Violence and the Sacred 334
  56. JAMES H. CONE (1935–) 351
  57. Liberation and the Christian Ethic 351
  58. SHARON WELCH (1940–) 362
  59. Dangerous Memory and Alternate Knowledges 363
  60. SIMONE WEIL (1909–1943) 377
  61. The Iliad, or the Poem of Force 378
  62. PART IV. THE STATE OF VIOLENCE
  63. Introduction 392
  64. THOMAS HOBBES (1588–1679) 399
  65. Leviathan 399
  66. HANNAH ARENDT (1906–1975) 416
  67. The Origins of Totalitarianism 417
  68. MICHEL FOUCAULT (1926–1984) 444
  69. Discipline and Punish: The Birth of the Prison 445
  70. GILLES DELEUZE (1925–1995) and FÉLIX GUATTARI (1930–1992) 472
  71. Savages, Barbarians, and Civilized Men 473
  72. PART V. THE REPRESENTATION OF VIOLENCE
  73. Introduction 492
  74. ANDRÉ BRETON (1896–1966) and LEON TROTSKY (1879–1940) 498
  75. Manifesto: Towards a Free Revolutionary Art 499
  76. MICHAEL TAUSSIG (1941–) 503
  77. Shamanism, Colonialism, and the Wild Man: A Study in Terror and Healing 503
  78. KRISTINE STILES (1947–) 522
  79. Shaved Heads and Marked Bodies: Representations from Cultures of Trauma 522
  80. OSAMA BIN LADEN (1957–) and ROLAND JACQUARD (1945?–) 539
  81. Declaration of War Against the Americans Occupying the Land of the Two Holy Places: Expel the Polytheists from the Arabian Peninsula (August 23, 1996) 540
  82. In the Name of Osama Bin Laden: Global Terrorism and the Bin Laden Brotherhood 545
  83. ELLIOTT LEYTON (1939–) 547
  84. Touched by Fire: Doctors without Borders in a Third World Crisis 547
  85. Copyright Acknowledgments 555
  86. Index 559
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