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Introduction The Cultural Politics of Postsocialism
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Xudong Zhang
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction The Cultural Politics of Postsocialism 1
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Part i Intellectual Discourse: National and Global Determinations
- One The Return of the Political: The Making of the Post-Tiananmen Intellectual Field 25
- Two Nationalism, Mass Culture, and Intellectual Strategies in the 1990s 102
- Three Postmodernism and Postsocialist Society: Cultural Politics after the “New Era” 136
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Part ii Literary Discourse: Narrative Possibilities of Postsocialism
- Four Shanghai Nostalgia: Mourning and Allegory in Wang Anyi’s Literary Production in the 1990s 181
- Five Toward a Critical Iconography: Shanghai, “Minor Literature,” and the Unmaking of a Modern Chinese Mythology 212
- Six “Demonic Realism” and the “Socialist Market Economy”: Language Game, Natural History, and Social Allegory in Mo Yan’s The Republic of Wine 240
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Part iii Cinematic Discourse: Universality, Singularity, and the Everyday World
- Seven National Trauma, Global Allegory: Construction of Collective Memory in Tian Zhuangzhuang’s The Blue Kite 269
- Eight Narrative, Culture, and Legitimacy: Repetition and Singularity in Zhang Yimou’s The Story of Qiu Ju 289
- Notes 311
- Bibliography 331
- Index 341
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction The Cultural Politics of Postsocialism 1
-
Part i Intellectual Discourse: National and Global Determinations
- One The Return of the Political: The Making of the Post-Tiananmen Intellectual Field 25
- Two Nationalism, Mass Culture, and Intellectual Strategies in the 1990s 102
- Three Postmodernism and Postsocialist Society: Cultural Politics after the “New Era” 136
-
Part ii Literary Discourse: Narrative Possibilities of Postsocialism
- Four Shanghai Nostalgia: Mourning and Allegory in Wang Anyi’s Literary Production in the 1990s 181
- Five Toward a Critical Iconography: Shanghai, “Minor Literature,” and the Unmaking of a Modern Chinese Mythology 212
- Six “Demonic Realism” and the “Socialist Market Economy”: Language Game, Natural History, and Social Allegory in Mo Yan’s The Republic of Wine 240
-
Part iii Cinematic Discourse: Universality, Singularity, and the Everyday World
- Seven National Trauma, Global Allegory: Construction of Collective Memory in Tian Zhuangzhuang’s The Blue Kite 269
- Eight Narrative, Culture, and Legitimacy: Repetition and Singularity in Zhang Yimou’s The Story of Qiu Ju 289
- Notes 311
- Bibliography 331
- Index 341