Home Cultural Studies The Culture That Sticks to Your Skin: A Manifesto for a New Cultural Studies
Chapter
Licensed
Unlicensed Requires Authentication

The Culture That Sticks to Your Skin: A Manifesto for a New Cultural Studies

  • Henry Jenkins , Tara McPherson and Jane Shattuc
View more publications by Duke University Press
Hop on Pop
This chapter is in the book Hop on Pop
© 2020 Duke University Press, Durham, USA

© 2020 Duke University Press, Durham, USA

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments ix
  4. I. introduction
  5. The Culture That Sticks to Your Skin: A Manifesto for a New Cultural Studies 3
  6. Defining Popular Culture 26
  7. II. self
  8. Daytime Utopias: If You Lived in Pine Valley, You’d Be Home 47
  9. Cardboard Patriarchy: Adult Baseball Card Collecting and the Nostalgia for a Presexual Past 66
  10. Virgins for Jesus: The Gender Politics of Therapeutic Christian Fundamentalist Media 88
  11. “Do We Look Like Ferengi Capitalists to You?” Star Trek’s Klingons as Emergent Virtual American Ethnics 105
  12. The Empress’s New Clothing? Public Intellectualism and Popular Culture 122
  13. “My Beautiful Wickedness”: The Wizard of Oz as Lesbian Fantasy 138
  14. III. Maker
  15. “Ceci N’est Pas une Jeune Fille”: Videocams, Representation, and “Othering” in the Worlds of Teenage Girls 162
  16. “No Matter How Small”: The Democratic Imagination of Dr. Seuss 187
  17. An Auteur in the Age of the Internet: JMS, Babylon 5, and the Net 209
  18. “I’m a Loser Baby”: Zines and the Creation of Underground Identity 227
  19. IV. Performance
  20. “Anyone Can Do It”: Forging a Participatory Culture in Karaoke Bars 254
  21. Watching Wrestling / Writing Performance 270
  22. Mae West’s Maids: Race, “Authenticity,” and the Discourse of Camp 287
  23. “They Dig Her Message”: Opera, Television, and the Black Diva 300
  24. How to Become a Camp Icon in Five Easy Lessons: Fetishism—and Tallulah Bankhead’s Phallus 316
  25. V. Taste
  26. “It Will Get a Terrific Laugh”: On the Problematic Pleasures and Politics of Holocaust Humor 343
  27. The Sound of Disaffection 357
  28. Corruption, Criminality, and the Nickelodeon 376
  29. “Racial Cross-Dressing” in the Jazz Age: Cultural Therapy and Its Discontents in Cabaret Nightlife 388
  30. The Invisible Burlesque Body of La Guardia’s New York 415
  31. Quarantined! A Case Study of Boston’s Combat Zone 430
  32. VI. Change
  33. On Thrifting 459
  34. Shopping Sense: Fanny Fern and Jennie June on Consumer Culture in the Nineteenth Century 472
  35. Navigating Myst-y Landscapes: Killer Applications and Hybrid Criticism 487
  36. The Rules of the Game: Evil Dead II . . . Meet Thy Doom 503
  37. Seeing in Black and White: Gender and Racial Visibility from Gone with the Wind to Scarlett 517
  38. VII. Home
  39. “The Last Truly British People You Will Ever Know”: Skinheads, Pakis, and Morrissey 539
  40. Finding One’s Way Home: I Dream of Jeannie and Diasporic Identity 556
  41. As Canadian as Possible . . . : Anglo-Canadian Popular Culture and the American Other 566
  42. Wheels of Fortune: Nation, Culture, and the Tour de France 589
  43. Narrativizing Cyber-Travel: CD-ROM Travel Games and the Art of Historical Recovery 605
  44. Hotting, Twocking, and Indigenous Shipping: A Vehicular Theory of Knowledge in Cultural Studies 622
  45. VIII. emotion
  46. “Ain’t I de One Everybody Come to See?!” Popular Memories of Uncle Tom’s Cabin 650
  47. Stress Management Ideology and the Other Spaces of Women’s Power 670
  48. “Have You Seen This Child?” From Milk Carton to Mise-en-Abıˆme 689
  49. Introducing Horror 700
  50. About the Contributors 721
  51. Name Index 733
Downloaded on 2.10.2025 from https://www.degruyterbrill.com/document/doi/10.1515/9780822383505-002/html?lang=en&srsltid=AfmBOorGiGGSnauTzbHtAo-oaN2xRT4hGARt2Ykftq4p9dM9LVx4Pwv9
Scroll to top button